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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:309124917:3020
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:309124917:3020?format=raw

LEADER: 03020cam a2200433Ii 4500
001 15165204
005 20210122124200.0
008 190913s2019 gw ac bc 000 0 eng d
024 $a99985646634
035 $a(OCoLC)on1120043824
040 $aERASA$beng$erda$cERASA$dAVA$dCGU$dOCLCF
020 $a9783791359267
020 $a3791359266
035 $a(OCoLC)1120043824
050 4 $aN7073.R94$bH36 2019
082 04 $a709.04
100 1 $aRyggen, Hannah,$d1894-1970,$eartist.
245 00 $aHannah Ryggen :$bwoven manifestos /$cMarit Paasche; Esther Schlicht (eds.).
246 30 $aWoven manifestos.
264 1 $aMunich :$bPrestel,$c2019.
300 $a131 pages :$billustrations (black and white, and colour), portraits ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to accompany an exhibition held at Schirn Kunsthalle, Frankfurt, 26th September 2019-12th January 2020.
504 $aIncludes bibliographical references.
520 8 $aDiscover the tapestries of Hannah Ryggen, one of the most influential Scandinavian artists of the 20th century. Hannah Ryggen created numerous monumental tapestries in her lifetime. Originally trained as a painter, Ryggen began weaving on a standing loom on her self-sufficient farm on the West coast of Norway. She challenged the formal traditions of Norwegian 17th- and 18th-century textile folk art, combining figurative and abstract elements. She also experimented with and developed colors using local plants and other materials she foraged. Her tapestries bravely tackled the social issues of the time, from the atrocities of war to the abuse of power. She created work in direct response to Hitler, Franco, and Mussolini and made powerful statements of support to the victims of Fascism and Nazism. This book features about 25 of Ryggen's signature tapestries including Etiopia (Ethiopia), Drommedod (Death of Dreams), and Vi lever pa en stjerne (We Are Living on a Star). It shows her work representing a different kind of modernism where elements of folk art and mythology are mixed with contemporary life. Haunting and powerful, Ryggen's work was unprecedented at the time, as it expressed her political messages to the public.00Exhibition: Schirn Kunsthalle, Frankfurt, Germany (26.09.2019-12.01.2020).
600 10 $aRyggen, Hannah,$d1894-1970$vExhibitions.
600 17 $aRyggen, Hannah,$d1894-1970.$2fast$0(OCoLC)fst00188876
655 7 $aexhibition catalogs.$2aat$0(CStmoGRI)aatgf300026096
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPaasche, Marit,$eeditor,$eauthor.
700 1 $aSchlicht, Esther,$eeditor,$eauthor,$einterviewer.
700 1 $aDemandt, Philipp,$ewriter of foreword.
700 1 $aDragset, Ingar,$d1969-$einterviewee.
700 1 $aLaub, Johanna,$eauthor.
710 2 $aSchirn Kunsthalle Frankfurt,$ehost institution.
852 00 $boff,ave$hN7073.R94$iH36 2019g