MARC Record from marc_columbia

LEADER: 07705cam a2200877 i 4500
001 15166476
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008 200422t20212021enka ob 001 0 eng
010 $a 2020018535
035 $a(OCoLC)on1152443884
035 $a(NNC)15166476
040 $aDLC$beng$erda$epn$cDLC$dOCLCQ$dOCLCF$dN$T$dUKMGB$dYDX$dGZM$dTYFRS$dOCLCO$dTYFRS$dTFW$dOSU$dOCLCO
015 $aGBC079783$2bnb
016 7 $a019826309$2Uk
020 $a9781003087410$q(electronic bk.)
020 $a1003087418$q(electronic bk.)
020 $a9781000182699$q(electronic bk.)
020 $a100018269X$q(electronic bk.)
020 $a9781000185874$q(electronic bk.)
020 $a1000185877$q(electronic bk.)
020 $a9781000189384$q(electronic bk. ;$qMobipocket)
020 $a1000189384$q(electronic bk. ;$qMobipocket)
020 $z9781350136557$q(hardcover)
020 $z9781350136564$q(paperback)
024 7 $a10.4324/9781003087410$2doi
035 $a(OCoLC)1152443884
037 $a9781000182699$bIngram Content Group
037 $a9781003087410$bTaylor & Francis
042 $apcc
043 $af------
050 04 $aTR115$b.W66 2021eb
072 7 $aPHO$x005000$2bisacsh
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072 7 $aSOC$x010000$2bisacsh
072 7 $aAB$2bicssc
082 04 $a770.82096$223
049 $aZCUA
245 00 $aWomen and photography in Africa :$bcreative practices and feminist challenges /$cedited by Darren Newbury, Lorena Rizzo and Kylie Thomas.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2021.
264 4 $c©2021
300 $a1 online resource (xiii, 295 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aNew lines of sight: Perspectives on women and photography in Africa / Darren Newbury, Lorena Rizzo and Kylie Thomas -- A working woman's eye: Anne Fischer and the South African photography of Weimar women in exile / Jessica Williams -- Curating images, performing narratives: Women and photography in the Usakos old location / Lorena Rizzo -- Women photographers in Angola and Mozambique (1909-1950): A history of an absence / Inês Vieira Gomes -- 'Don't touch': Inheriting the Deo Gratias Photo Studio in Ghana -- an interview with Kate Tamakloe-Vanderpuije / Rachel Ama Asaa Engmann -- Photographic representations of Tunisian women from the late 1940s to the present: A transgenerational palimpsest / Dora Carpenter-Latiri -- Some collaborative readings of personal and cultural photographs from Southern Africa in the 1980s / Biddy Partridge -- 'We own the night': Youth and self-fashioning in Fatoumata Diabaté's Sutigi / Tina Barouti -- Photographs and memory making: Curating Kewpie: Daughter of District Six / Tina Smith and Jenny Marsden -- Beyond the frame: Zanele's Muholi's queer visual activism / Tessa Lewin -- Affective archives: Re-animating family photographs in the works of Lebohang Kganye and Thenjiwe Niki Nkosi / Marietta Kesting -- Visual currencies: Performative photography in South African contemporary art / Nomusa Makhubu -- Héla Ammar's Tarz: An affective and imaginative memory upon dispossession / Anna Rocca.
520 $a"This vibrant collection explores women's multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography the collection provides a model for interdisciplinary feminist approaches for scholars of art history, visual studies and African history"--$cProvided by publisher.
588 $aDescription based on online resource; title from digital title page (viewed on October 28, 2020).
545 0 $aDarren Newbury is Professor of Photographic History and Director of Postgraduate Studies (Arts and Humanities) at the University of Brighton. He is the author of Defiant Images: Photography and Apartheid South Africa (2009) and People Apart: 1950s Cape Town Revisited. Photographs by Bryan Heseltine (2013); and co-editor of The African Photographic Archive: Research and Curatorial Strategies (2015) with Christopher Morton, and a Special Issue of Visual Studies on 'Photography and African Futures' (2017) with Richard Vokes. He was editor of the international journal Visual Studies from 2003 to 2015, and has curated exhibitions at the Pitt Rivers Museum, University of Oxford, and District Six Museum, Cape Town. Lorena Rizzo is an associate researcher and lecturer in the Center for African Studies at the University of Basel (Switzerland). She has widely published on Namibian and South African visual and gender history. She is currently finalizing a book entitled Shades of Empire: Photography and History in Colonial Southern Africa (forthcoming Routledge). Kylie Thomas is a Marie Skłodowska-Curie Research Fellow at the Netherlands Institute for War, Holocaust and Genocide Studies in Amsterdam. She is the author of Impossible Mourning: HIV/AIDS and Visuality after Apartheid (Bucknell University Press & Wits University Press, 2014) and co-editor, with Louise Green, of Photography in and out of Africa: Iterations with Difference (Routledge, 2016).
650 0 $aWomen photographers$zAfrica.
650 0 $aWomen photographers$zAfrica$xHistory.
650 0 $aPhotography, Artistic.
650 0 $aPhotography of women$zAfrica.
650 6 $aFemmes photographes$zAfrique.
650 6 $aFemmes photographes$zAfrique$xHistoire.
650 6 $aPhotographie artistique.
650 6 $aPhotographie de femmes$zAfrique.
650 7 $aart photography.$2aat
650 7 $aPHOTOGRAPHY / Criticism$2bisacsh
650 7 $aART / African$2bisacsh
650 7 $aSOCIAL SCIENCE / Feminism & Feminist Theory$2bisacsh
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 7 $aPhotography of women.$2fast$0(OCoLC)fst01061958
650 7 $aWomen photographers.$2fast$0(OCoLC)fst01178288
651 7 $aAfrica.$2fast$0(OCoLC)fst01239509
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aNewbury, Darren,$eeditor.
700 1 $aRizzo, Lorena,$eeditor.
700 1 $aThomas, Kylie,$eeditor.
776 08 $iPrint version:$tWomen and photography in Africa.$dAbingdon, Oxon ; New York, NY : Routledge, 2021$z9781350136557$w(DLC) 2020018534$w(OCoLC)1152452318
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15166476$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS