Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:317174254:5129 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:317174254:5129?format=raw |
LEADER: 05129cam a2200649Mi 4500
001 15182374
005 20220514225850.0
006 m o d
007 cr |n|---|||||
008 191204s2019 enk o 000 0 eng d
035 $a(OCoLC)on1129215421
035 $a(NNC)15182374
040 $aEBLCP$beng$epn$cEBLCP$dOCLCQ$dYDX$dN$T$dOCLCF$dRECBK$dUKAHL$dOCLCO
019 $a1129144829
020 $a9781912685257
020 $a1912685256
020 $z9781912685165
020 $z1912685167
035 $a(OCoLC)1129215421$z(OCoLC)1129144829
050 4 $aNX650.S68
082 04 $a700.1/08$223
049 $aZCUA
100 1 $aToop, David.
245 10 $aInflamed Invisible :$bCollected Writings on Art and Sound, 1976-2018.
260 $aCambridge :$bGoldsmiths, University London,$c2019.
300 $a1 online resource (304 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aGoldsmiths Press / Sonics Ser. ;$vv. 2
588 0 $aPrint version record.
505 0 $aIntro; Contents; Note to the reader; Introduction; 1 archiving clouds of sounding dust; Sonic Boom; Sonic Meditations: Pauline Oliveros; 2 spirits eruptions inflammations; sleep music, the underworld: on hearing Áine O'Dwyer's Gallarais and the subsequent conversations between November 2016 and J; Stephen Cripps: Exploding Practice Inevitable; The Future Is Not Always Bright: Daphne Oram and Lily Greenham; The Sweat of Toads: Victor Grippo and Tania Chen; Joachim Koester: The Art of Memory and Forgetting; Notes; 3 hysteria machines ghosts tremors; Realm of the Senses, for Camille Norment
505 8 $aA Piercing Silence: James RichardsGilbert & George: The Singing Sculpture; Stick, Spit, Reed and Tubing: Writing on Seymour Wright; 4 holes traps bat caves moths fluttering; trap set: Haroon Mirza; crying: on Alvin Lucier's The Duke of York (1971); 5 soft edges flickers stitches traversal; The Woman Seen Sweeping the Sea: Annabel Nicolson escaping notice; memorising wilderness: Alvin Lucier; Mieko Shiomi, Spatial Poem No. 7 (At the time listed below listen to the sounds around you for a while); this is not a bee, it could be a kind of shadow: Rolf Julius; 6 ancestor voices memories distortion
505 8 $a... I listen to the wind that obliterates my traces music in vernacular photographs 1880-1955: steve rodenDisplacing the Air: The Marfa Sessions, Christina Kubisch, Stephen Vitiello, Steve Roden, September 2008, curated by Regine B; apparitions in rayon: Mike Cooper; A Cat with Strange Fur: Akio Suzuki; Two Scenes: Lav Diaz; Loré Lixenberg: Memory Maps; Lingering Tones: for Danny McCarthy's exhibition -- Beyond Silence: A Bell Rings in an Empty Sky, Crawford Art Gallery, Cork; Hot Tea from the Spout of a Black Pot: for O Yama O; 7 kwatz graaak blap wonnnng txtspl
505 8 $aMmmmmmmm, wonnnng and woh: Music and Collaboration in the Work of Nathalie Djurberg and Hans Bergdsh: apophatic wu-ness; blatzwurds of deepwar plasma: the noise of Jeff Keen; raging dancing word destruction: Bob Cobbing; 8 listening moving marking; Sounds Passing Through Circumstances: Francis Alÿs; A Ghost Travelling a Half Mile Ahead of Its Own Shape: Faulkner and Caravaggio; Sound Thinking: Stuart Marshall; Live at The Filmmakers Co-op: Stuart Marshall; 9 nothing silence black not-black invisible; Less Is More; More Is More: Ryoji Ikeda; Black Is Black: Ad Reinhardt
505 8 $aIt Is Nothing: Picasso's Guitarsno boundary condition: Shirazeh Houshiary; Nothing Hear: John Cage & John Latham; Folding: Lucie Stepankova; 10 clocks hearts nervous tic stutters; Painting in Slang: Christian Marclay; pink glisten for Carsten Nicolai; Automatic Writing: Robert Ashley, Cevdet Erek, Mary Butts, Dorothy Richardson; 11 agitations surfaces decomposition; Instruments of Non-Existence (through which Heaven and Earth Seek Reconciliation); Everything Is Vibrating: Hugh Davies; Filament Drums: the endless instrument, for Tomás Saraceno
505 8 $aTania Chen plays John Cage and David Tudor -- Electronic Music for Piano
520 $aA rich collection of essays tracing the relationship between art and sound.
650 0 $aArt.
650 0 $aSound.
650 0 $aArt and music.
650 0 $aSound installations (Art)
650 2 $aArt
650 6 $aArt.
650 6 $aArt et musique.
650 6 $aInstallations sonores (Art)
650 7 $asound installations.$2aat
650 7 $aART / General.$2bisacsh
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt and music.$2fast$0(OCoLC)fst00815413
650 7 $aSound.$2fast$0(OCoLC)fst01126935
650 7 $aSound installations (Art)$2fast$0(OCoLC)fst01127006
655 4 $aElectronic books.
776 08 $iPrint version:$aToop, David.$tInflamed Invisible : Collected Writings on Art and Sound, 1976-2018.$dCambridge : Goldsmiths, University London, ©2019$z9781912685165
830 0 $aGoldsmiths Press / Sonics Ser.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15182374$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS