MARC Record from marc_columbia

LEADER: 01803cam a2200313Ii 4500
001 15203344
005 20210404192349.0
008 191115s2019 it a 000 0 eng d
024 $a99985887370
035 $a(OCoLC)on1127984936
040 $aERASA$beng$erda$cERASA$dYDX$dOCLCQ$dYDXIT$dOCLCO$dOCLCF$dYDXIT
020 $a9788885449398$qpaperback
020 $a8885449395$qpaperback
035 $a(OCoLC)1127984936
050 4 $aN6494.F55$bS46 2019
082 04 $a709.04$223
245 00 $aSense sound sound sense :$bFluxus music, scores & records in the Luigi Bonotto collection /$cEdited by Walter Rovere, Patrizio Peterlini.
264 1 $a[Ravenna] :$bDanilo Montanari Editore,$c[2019]
300 $a222 pages :$billustrations (color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aReprinted on the occasion of an exhibition at the Whitechapel Gallery in London, this book presents the international Fluxus legacy through sound. With works by John Cage, Philip Corner, Dick Higgins, Alison Knowles, George Maciunas, Claes Oldenburg, Yoko Ono, and others, it explores the interest of Fluxus artists in music and sound through performance, scores, records, and objects from the Luigi Bonotto Collection. Their public events challenged conventional form and content in music, and the approach to music scores was equally radical. Instead of traditional sheet music, they devised notational systems based on graphics, poetry, and the visual arts.
650 0 $aFluxus (Group of artists)
650 0 $aPerformance art$vScores.
650 7 $aFluxus (Group of artists)$2fast$0(OCoLC)fst00928396
700 1 $aPeterlini, Patrizio,$eeditor.
700 1 $aRovere, Walter,$eeditor.
852 00 $boff,fax$hN6494.F55$iS46 2019g