MARC Record from marc_columbia

LEADER: 03742cam a2200721 i 4500
001 15233457
005 20220618225803.0
006 m o d
007 cr |||||||||||
008 200603s2020 nyua obq 001 0 eng
010 $a 2020023296
035 $a(OCoLC)on1157354481
035 $a(NNC)15233457
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dYDX$dEBLCP$dYDX$dN$T$dOCLCO$dTFW$dWAU$dOCLCQ$dOCLCO
020 $a1438481144$q(electronic book)
020 $a9781438481142$q(electronic bk.)
020 $z9781438481135$qhardcover
035 $a(OCoLC)1157354481
042 $apcc
043 $an-mx---
050 04 $aPN1993.5.M4$bT463 2020
082 00 $a791.430972$223
049 $aZCUA
100 1 $aThornton, Niamh,$eauthor.
245 10 $aTastemakers and tastemaking :$bMexico and curated screen violence /$cNiamh Thornton.
264 1 $aAlbany :$bState University of New York,$c[2020]
300 $a1 online resource (x, 226 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
490 1 $aSUNY series in Latin American cinema
504 $aIncludes bibliographical references, filmography, and index.
520 $a"Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence"--$cProvided by publisher.
505 0 $aQuestions of taste: classification, value, legitimation, and Distinction -- Cultural institutions and taste formation: Nelson Carro and the Cineteca in 2010 -- Commonplace and routine: Amat Escalante's extreme realism in Los bastardos (2008) and Heli (2013) -- Re-versioning and thick contexts: the cinematic adaptations of Los de abajo -- Bodily excess and containment: Bordertown (Gregory Nava, 2006) and The Virgin of Juarez (Kevin James Dobson, 2006) -- Curating cruelty and criminality: the radical mediation of Kate del Castillo -- Conclusion.
588 $aDescription based on online resource; title from PDF title page (ProQuest Ebook Central, viewed on December 09, 2020).
650 0 $aMotion pictures$zMexico$xHistory and criticism.
650 0 $aMotion pictures$xAesthetics.
650 0 $aTelevision$xAesthetics.
650 0 $aCuratorship$xPhilosophy.
650 0 $aTelevision programs$zMexico$xHistory.
650 0 $aViolence in motion pictures.
650 0 $aViolence on television.
650 6 $aCinéma$zMexique$xHistoire et critique.
650 6 $aCinéma$xEsthétique.
650 6 $aTélévision$xEsthétique.
650 6 $aConservation$xPhilosophie.
650 6 $aÉmissions télévisées$zMexique$xHistoire.
650 6 $aViolence au cinéma.
650 6 $aViolence à la télévision.
650 7 $aMotion pictures$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xAesthetics$2fast$0(OCoLC)fst01027288
650 7 $aTelevision$xAesthetics$2fast$0(OCoLC)fst01146536
650 7 $aTelevision programs$2fast$0(OCoLC)fst01147026
650 7 $aViolence in motion pictures$2fast$0(OCoLC)fst01167293
650 7 $aViolence on television$2fast$0(OCoLC)fst01167314
651 7 $aMexico$2fast$0(OCoLC)fst01211700
655 0 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aThornton, Niamh.$tTastemakers and tastemaking.$dAlbany : State University of New York Press, [2020]$z9781438481135$w(DLC) 2020023295$w(OCoLC)1154511277
830 0 $aSUNY series in Latin American cinema.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15233457$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS