MARC Record from marc_columbia

LEADER: 02003cam a2200385Ii 4500
001 15234264
005 20210302083219.0
008 201221t20202020ne a 000 0 eng d
035 $a(OCoLC)on1205591601
040 $aERASA$beng$erda$cERASA$dJPG$dOCLCO$dNNC
020 $a9789082771213
020 $a9082771217
035 $a(OCoLC)1205591601
050 4 $aNK4210.B34$bD43 2020
082 04 $a738
049 $aZCUA
245 00 $aDear clay /$cimages and letters, Stéphanie Baechler ; texts, Zoë Dankert.
246 3 $aStéphanie Baechler :$bdear clay
264 1 $a[Amsterdam] :$bBuilding Fictions$c[2020]
264 4 $c©2020
300 $a240 pages :$billustrations (some color) ;$c28 cm +$e2 sheets (30 x 21 cm, folded to 15 x 21 cm) + 2 ribbons
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle from spine.
500 $aLimited edition of 300 copies.
500 $aSheets contained in an inserted envelope.
500 $aChiefly illustrated.
520 8 $a'Dear Clay' gathers a selection of spreads extracted from Stéphanie Baechler's meticulous sketchbooks displayed in chronological order (2013-2019), as well as 35-mm photographs documenting her working process. Providing an intimate insight into her artistic practice, it reveals what facilitates the work from its conception to its making, transportation, and installation. Rather than presenting it as a final staged object, we see the work as something unpolished, unfinished, in flux. Activating this archive of images allows to search for what creates the identity of a work behind the surface of the conventional gallery presentation.
600 10 $aBaechler, Stéphanie,$d1983-
650 0 $aCeramic sculpture.
700 12 $aBaechler, Stéphanie,$d1983-$tWorks.$kSelections.
700 1 $aDankert, Zoë,$ewriter of supplementary textual content.
852 00 $boff,fax$hNK4210.B34$iD43 2020g