MARC Record from marc_columbia

LEADER: 03178cam a2200493 i 4500
001 15265325
005 20210126085348.0
008 190828s2020 enka b 001 0 eng
010 $a 2019038482
035 $a(OCoLC)on1119131741
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dCHVBK$dOCLCO
019 $a1225642544$a1227905269
020 $a9781788738118$qhardback
020 $a178873811X$qhardback
020 $z9781788738125$q(UK ebk)
020 $z9781788738132$q(US ebk)
035 $a(OCoLC)1119131741$z(OCoLC)1225642544$z(OCoLC)1227905269
042 $apcc
050 00 $aNX180.P64$bF67 2020
082 00 $a701/.03$223
049 $aZCUA
100 1 $aFoster, Hal,$eauthor.
245 10 $aWhat comes after farce? :$bArt and criticism at a time of debacle /$cHal Foster.
264 1 $aLondon ;$aBrooklyn, NY :$bVerso,$c2020.
300 $ax, 205 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the Left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second group reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface), "operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives"--$cProvided by publisher.
650 0 $aArts$xPolitical aspects$xHistory$y21st century.
650 0 $aArts and society$xHistory$y21st century.
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aArts$xPolitical aspects.$2fast$0(OCoLC)fst00817791
600 17 $aFoster, Hal$d1955-$2gnd$0(DE-588)123940362
650 7 $aFarce$2gnd$0(DE-588)4153738-5
650 7 $aGesellschaft$2gnd$0(DE-588)4020588-5
650 7 $aKulturkritik$2gnd$0(DE-588)4033572-0
650 7 $aKunst$2gnd$0(DE-588)4114333-4
648 7 $a2000-2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aFoster, Hal,$tWhat comes after farce?$dBrooklyn : Verso Books, 2020.$z9781788738132$w(DLC) 2019038483
852 00 $bfaxlc$hNX180.P64$iF67 2020