MARC Record from marc_columbia

LEADER: 06118cam a2200589 i 4500
001 15268086
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008 180314s2018 xx ob 000 0 eng d
035 $a(OCoLC)on1028652419
035 $a(NNC)15268086
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019 $a1028553117$a1028814476$a1035416722$a1038023043$a1044866540$a1055686328
020 $a9781119254430$q(electronic bk.)
020 $a1119254434$q(electronic bk.)
020 $z1119254418
020 $z9781119254416
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050 4 $aNA682.M63
072 7 $aARC$x000000$2bisacsh
082 04 $a724/.6$223
049 $aZCUA
245 00 $aCelebrating the marvellous :$bsurrealism in architecture /$cguest-edited by Neil Spiller.
260 $a[Place of publication not identified] :$bJohn Wiley & Sons,$c2018.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aArchitectural design ;$vvol. 88, no. 02
490 1 $aProfile ;$vno. 252
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed March 16, 2018).
505 0 $aCover; Title Page; Contents; Copyright Page; About the Guest-Editor; Introduction: That was Then, This is Now and Next; Architecture After the Rain; Notes; Surrealism and Architectural Atmosphere; Mad Love; The Bow and the Lyre; Architecture and the Edge of Language; Notes; Moody Attunement in Giorgio de Chiricoâ#x80;#x99;s Metaphysical City; Moody Attunement as Revelatory Knowledge; Interpenetration of Inside and Outside; Moody Attunement in the Contemporary City; Notes; Alien Ossuary: The HR Giger Museum Bar; Making A Spectacle Of Society (Thoughts on Surreality); Capturing the Artistic Schism.
505 8 $aThe Marvels of VoxtacityNotes; A Simply Marvellous Reaction: Autonomous Sensory Meridian Response and the Desk Tutorial; Self-Discovery; The Dark Tutorial; Notes; As the Levee Breaks: Entrusting the Surreal Mississippi; Breach; The Anthology; Control and the Lack Thereof; Hearing Trumpets, Errant Furniture and Architectural Magic: Arch Combinatoria and the Horizontal Forest; The Drawings; The Importance of Play; Notes; The Shadowy Thickening of Space and Time with Chance: An Interview with the Quay Brothers; The Choreography of Chance; Temporal Density and Twindom; Atmospheres and Animation.
505 8 $aThickening ApprehensionSurrealist Thames-side Piers: Tellurian Relics; Silver Parrots: Mischievous Characters and Feathered Aerialists; Plastic Tactics; Evidentiary Traces; The Last Tango; Notes; Magic Craftsmanship: A Glimpse into Bryan Cantleyâ#x80;#x99;s Thirdspace; Architecture in Aqueous Flux: The CaCO3 Depositional House; A Cybernetic Biochemistry; A Surrealist Window; A Prototype; Notes; Transcending Geometry: The Longhouse; On the Partiality of Sites and Looking; Gothic Genetics; Notes; Directions for Getting Lost: Or How to Change Your Mind; The Maker Explains; Notes.
505 8 $aSubterranean Speculations: The ChthonopolisA Concise History of Utopias; New Utopian Conceptions; A City Under the Ground; Notes; Counterpoint: â#x80;#x98;Surâ#x80;#x99; Realism: After Surrealism Comes Hyperrealism; Manufacturing New Realities; The Dark Back Alleys of Literality; Notes; Contributors; ARCHITECTURAL DESIGN: SURREALISM IN ARCHITECTURE; What is Architectural Design?; ARCHITECTURAL DESIGN: FORTHCOMING AD TITLES; EULA.
504 $aIncludes bibliographical references.
520 $aWe are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet Andre Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realized its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration.
650 0 $aModern movement (Architecture)
650 0 $aSurrealism$xInfluence.
650 6 $aMouvement moderne (Architecture)
650 6 $aSurréalisme$xInfluence.
650 7 $aARCHITECTURE$xGeneral.$2bisacsh
650 7 $aModern movement (Architecture)$2fast$0(OCoLC)fst01024437
650 7 $aSurrealism$xInfluence.$2fast$0(OCoLC)fst01139540
655 4 $aElectronic books.
700 1 $aSpiller, Neil,$eeditor.
776 08 $iPrint version:$tCelebrating the marvellous.$d[Place of publication not identified] : John Wiley & Sons, 2018$z1119254418$z9781119254416$w(OCoLC)991783623
830 0 $aArchitectural design (London, England : 1971) ;$vv. 88, no. 2.
830 0 $aProfile (Chichester, England) ;$vno. 252.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15268086$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS