MARC Record from marc_columbia

LEADER: 03739cam a2200553 i 4500
001 15275257
005 20210121105506.0
008 201215s2020 bl a bc 000 0 por d
035 $a(OCoLC)on1227321007
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF
020 $a9786599040603
020 $a6599040608
035 $a(OCoLC)1227321007
041 0 $apor$aeng
050 4 $aN6659.D48$bA4 2020
049 $aZCUA
100 1 $aDias, Antonio,$d1944-2018,$eartist.
240 10 $aWorks.$kSelections
245 10 $aAntonio Dias :$bderrotas e vitórias /$ccuradoria = curatorship : Felipe Chaimovich.
246 30 $aDerrotas e vitórias
250 $aPrimeira edição.
264 $a[São Paulo] :$bMuseu de Arte Moderno de São Paulo,$c[2020]
300 $a171 pages :$billustrations (chiefly color) ;$c28 cm.
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Ministerio da Cidadania e Museu de Arte Moderno de São Paulo apesentam"--Title Page.
500 $aCatalog of an exhibition held in 2020 at the MAM, São Paulo.
500 $a"20 de março a 31 de maio de 2020" --Title Page.
504 $aIncludes bibliographical references.
505 8 $aApresentação = Introduction -- A coleção de Antônio Dias como testemunho ético = Antonio Dias: collection as an ethical statement / Felipe Chamovich -- Iscas vitais = Vital bait / Roberto Conduru -- O corpo da pintura =The body of painting / Sérgio Martins.
520 $aUpon his death, in August 2018, Antonio Dias had assembled a collection of his own works that covered his entire artistic trajectory. The set was composed of parts from which he had never separated, as well as other repurchased from third parties for whom they had been sold. It was, therefore, a representation of himself intentionally constructed, maintained and guarded. The attitude of collecting one another manifests an essential aspect of the artist: Antonio Dias cultivated a work ethic that allows us to understand his journey from positions clearly formulated by him. Thus, the choice of the components of this collection testifies to principles that have accompanied the artist throughout his life and that were kept close to him. We have gathered here part of this unique collection. In addition to having emblematic pieces such as Nota sobre a morte acidental (Note on accidental death) and Anywhere Is My Landʺ, the collection ranges from the first abstract works of the early 1960œs to the last canvas painted by Antonio Dias. The name of the exhibition was created from an engraving made by the artist at the age of 20 at the Clube da Gravura of MAM, in 2006, and is the product from the images of his eponymous film.
546 $aIn Portuguese and English.
600 10 $aDias, Antonio,$d1944-2018$vExhibitions.
600 10 $aDias, Antonio,$d1944-2018$xCriticismand interpretation.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aInstallations (Art)$zBrazil$y20th century$vExhibitions.
650 0 $aArt, Brazilian$y20th century$vExhibitions.
600 17 $aDias, Antonio,$d1944-2018.$2fast$0(OCoLC)fst00138567
650 7 $aArt, Brazilian.$2fast$0(OCoLC)fst00816034
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
651 7 $aBrazil.$2fast$0(OCoLC)fst01206830
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aChaimovich, Felipe,$ecurator,$eauthor of additional text.
710 2 $aMuseu de Arte Moderno de São Paulo,$eissuing body.
852 00 $boff,fax$hN6659.D48$iA4 2020g