MARC Record from marc_columbia

LEADER: 03348cam a2200541Ii 4500
001 15275504
005 20210118100519.0
008 200620t20202020enkacg b 011 0 eng d
024 $a40030225461
035 $a(OCoLC)on1159771424
040 $aERASA$beng$erda$cERASA$dOCLCO$dUKMGB$dOCLCF$dOCLCO$dYDXIT$dYDX$dSYB$dYDXIT$dRES
020 $a9781783274925$qhardcover
020 $a1783274921$qhardcover
035 $a(OCoLC)1159771424
043 $ae------$ae-uk---
050 4 $aML240$b.M87 2020
082 04 $a780.94$223
245 00 $aMusical exchange between Britain and Europe, 1500-1800 :$bessays in honour of Peter Holman /$cedited by John Cunningham and Bryan White.
264 1 $aWoodbridge :$bThe Boydell Press,$c2020.
264 4 $c©2020
300 $axliii, 529 pages :$billustrations (black and white), music, portraits ;$c24 cm.
336 $atext$btxt$2rdacontent
336 $anotated music$bntm$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic in Britain, 1600-2000,$x2053-3217 ;$v25
504 $aIncludes bibliographical references and indexes.
520 8 $aThis book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.1500-1800. Inspired by Peter Holman's research and performing activities, the essays in the volume develop the theme of exchange and dialogue through the lenses of people, practices and repertory and consider the myriad ways in which musical culture participated in the dynamic relationship between Europe and Britain. Key areas addressed are music and travel; music publishing; emigre musicians; performing practice; dissemination of music and musical practice; and instruments. Holman's work has revealed the mechanisms by which continental practices were adapted to local circumstances and has helped to show that Britain enjoyed a vigorous musical culture in the long eighteenth century, in which native proponents produced original works of quality and interest and did not simply copy continental models. Following avenues opened up by Holman' scholarship, contributors to this volume explore a variety of ways in which the cross-fertilization of music and musicians has enriched European, and especially British, culture of the early modern period.
650 0 $aMusic$zEurope$xHistory and criticism.
650 0 $aMusic$zGreat Britain$xHistory and criticism.
650 0 $aMusicians$zEurope$xHistory.
650 0 $aMusicians$zGreat Britain$xHistory.
651 0 $aEurope$xRelations$zGreat Britain.
651 0 $aGreat Britain$xRelations$zEurope.
600 10 $aHolman, Peter,$d1946-
650 7 $aInternational relations.$2fast$0(OCoLC)fst00977053
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusicians.$2fast$0(OCoLC)fst01030837
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aCunningham, John Patrick,$eeditor.
700 1 $aWhite, Bryan,$d1969-$eeditor.
700 1 $aHolman, Peter,$d1946-$ehonoree.
830 0 $aMusic in Britain, 1600-2000 ;$v25.$x2053-3217
852 00 $bmus$hML240$i.M87 2020