MARC Record from marc_columbia

LEADER: 03816cam a2200541Ii 4500
001 15289915
005 20210716154004.0
008 210106s2019 uy ach g b 000 0bspa d
035 $a(OCoLC)on1193234436
040 $aHUL$beng$cHUL$dOCLCO$dPIT$dOCLCF$dH7K$dJPG$dOCLCO
020 $a9789974882966
020 $a9974882966
020 $z9789974882843
035 $a(OCoLC)1193234436
043 $ae-sp---$as-uy---
050 4 $aHF3684.6.G37$bP67 2019
049 $aZCUA
100 1 $aPorley, Carolina,$d1979-$eauthor.
245 13 $aEl coleccionista :$bFernando García y su legado al Estado uruguayo /$cCarolina Porley.
246 30 $aFernando García y su legado al Estado uruguayo
250 $a1a. ed.
260 $a[Montevideo] :$bEstuario editora,$c2019.
300 $a446 pages :$billustrations (some color), facsimiles, portraits ;$c24 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBiografía
504 $aIncludes bibliographical references.
505 8 $aPrólogo / Laura Malosetti Costa, Gabriel Peluffo Linari -- Introducción. Una historia sobre la circulación y patrimonialización del arte -- Retrato de un coleccionista -- Coleccionar, legar y así vencer la muerte -- El coleccionista en el campo cultural del Uruguay del "Centenario" -- La "Madre Patria" en la galeria de Fernando García -- El coleccionista de la Patria -- Conclusiones -- Anexos: Anexo 1. El testamento del coleccionista -- Anexo 2. Inventario del legado artístico ingresado al Museo Nacional de Bellas Artes en 1945 -- Anexo 3. Tasación del legado material y cultural de Fernando Garciþa -- Anexo 4. Relación de precios.
520 $aThis book is about Fernando García (Uruguay 1887-1945), merchant, industrialist, banker and collector, and above all the history of his cultural legacy to the State. The author emphasizes his art collection, which included the largest set of works by Juan Manuel Blanes (152 pieces) assembled in Uruguay. The son of a Galician immigrant, García was a "new rich" -from the sale of alcohol and cigarettes- who transcend as a philanthropist and benefactor. His heritage was a way to "spiritualize" his wealth. However, by not complying with his testamentary wishes, the State de-historicized the patrimony received, a process that this book seeks to reverse by rebuilding the art circuit and the social and intellectual networks that facilitated and profiled that cultural consumption in Uruguay during the first half of the 20th century. The author's hypothesis is that the collector's legacy materialized some of the ideas that bid in the cultural field of Centennial Uruguay concerning the essence of the nation, the value of tradition and the ways of access to modernity.
600 10 $aGarcia, Fernando,$d1887-1945.
650 0 $aMerchants$zSpain$zGalicia (Region)$vBiography.
650 0 $aIndustrialists$zSpain$zGalicia (Region)$vBiography.
650 0 $aBankers$zSpain$zGalicia (Region)$vBiography.
650 0 $aCollectors and collecting$zSpain$zGalicia (Region)$vBiography.
651 0 $aUruguay$xSocial life and customs.
650 7 $aBankers$2fast$0(OCoLC)fst00826798
650 7 $aCollectors and collecting$2fast$0(OCoLC)fst00867604
650 7 $aIndustrialists$2fast$0(OCoLC)fst00971815
650 7 $aManners and customs$2fast$0(OCoLC)fst01007815
650 7 $aMerchants$2fast$0(OCoLC)fst01017057
651 7 $aSpain$zGalicia Region$2fast$0(OCoLC)fst01330488
651 7 $aUruguay$2fast$0(OCoLC)fst01202667
655 7 $aBiographies$2fast$0(OCoLC)fst01919896
830 0 $aBiografía (Montevideo, Uruguay)
852 00 $boff,fax$hHF3684.6.G37$iP67 2019g
852 00 $boff,glx$hHF3684.6.G37$iP67 2019g