MARC Record from marc_columbia

LEADER: 03126cam a2200517 i 4500
001 15294435
005 20210615105244.0
008 190607s2019 be abf b 001 0 eng d
035 $a(OCoLC)on1105604669
040 $aERASA$beng$erda$cERASA$dOCLCQ$dNNC
020 $a9781912554300
020 $a1912554305
035 $a(OCoLC)1105604669
043 $ae-it---
050 4 $aD900
050 4 $aDG55.V47$bT97 2019
082 04 $a940.1
049 $aZCUA
245 00 $aTypical Venice?$bthe art of commodities, 13th-16th centuries /$cedited by Ella Beaucamp and Philippe Cordez
264 1 $aTurnhout :$bHarvey Miller / Brepols,$c2019
300 $a260 pages :$billustrations, map, plates ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aIn the Shadow of the Lion of St. Mark (HMSLSM)$v2
504 $aIncludes bibliographical references and index
520 8 $aWhat is the art of commodities, and how does it contribute to shaping a city? The case of Venice, which perhaps more than any other late medieval or early modern city depended on trade, offers some widely applicable considerations in response to these questions. Commodities exist as such only when they can be bought and sold. Select materials, techniques and tools, motifs, and working processes are entailed in the conception and realization of commodities, with the aim of producing and selling in numbers. The art of commodities is an art of anticipation and organization, as complex as the material, social, and symbolic situations it results from, deals with, and contributes to shaping. In turn, an analysis of commodities allows for profound insights in these situations. The art of commodities ultimately presents specific challenges, solutions, and styles; it is an art of objects, as well as an art of cities and societies. In Venice, commodities did much more than circulate throughout the Lagoon: the city was made of them. The studies in this book consider the Serenissima’s diverse commodities, merchants, and routes from multiple perspectives.
650 7 $aArt$2fast$0(OCoLC)fst00815177
650 7 $aReligious articles$2fast$0(OCoLC)fst01093939
650 7 $aGlass art$2fast$0(OCoLC)fst00943068
650 7 $aPainting$2fast$0(OCoLC)fst01050567
650 7 $aArts, Ivoirian$2fast$0(OCoLC)fst01745967
650 7 $aMerchants$2fast$0(OCoLC)fst01017057
650 7 $aCommodity exchanges$2fast$0(OCoLC)fst00869717
651 7 $aItaly$zVenice$2fast$0(OCoLC)fst01204473
648 7 $a1201-1599$2fast
655 7 $aHistory$2fast$0(OCoLC)fst01411628
700 1 $aBeaucamp, Ella,$eeditor.
700 1 $aCordez, Philippe,$eeditor.
710 2 $aDeutsches Studienzentrum in Venedig,$esponsoring body.
710 2 $aGermany.$bBeauftragte der Bundesregierung für Kultur und Medien,$esponsoring body.
830 0 $aIn the Shadow of the Lion of St. Mark (HMSLSM) ;$v2.
852 00 $bfaxlc$hDG55.V47$iT97 2019g
852 00 $boff,fax$hDG55.V47$iT97 2019g
852 00 $boff,fax$hN6921.V5$iT97 2020