MARC Record from marc_columbia

LEADER: 05420cam a2200733 i 4500
001 15327803
005 20210607150649.0
006 m o d
007 cr cnu---unuuu
008 200903t20212021enk ob 001 0 eng
010 $a 2020033742
035 $a(OCoLC)on1196820180
035 $a(NNC)15327803
040 $aDLC$beng$erda$cDLC$dOCLCF$dOCLCO$dTYFRS$dN$T$dTYFRS$dYDX
020 $a9781003032090$qelectronic book
020 $a1003032095$qelectronic book
020 $a9781000296518$qelectronic book
020 $a1000296512$qelectronic book
020 $a9781000296549$qelectronic book
020 $a1000296547$qelectronic book
020 $a9781000296570$qelectronic book
020 $a1000296571$qelectronic book
020 $z9780367469436$qhardcover
035 $a(OCoLC)1196820180
037 $a9781003032090$bTaylor & Francis
043 $aev-----
050 00 $aNX180.S6$bR45 2021
072 7 $aART$x000000$2bisacsh
072 7 $aMUS$x000000$2bisacsh
072 7 $aPER$x000000$2bisacsh
072 7 $aAN$2bicssc
082 00 $a790.20948/09033$223
049 $aZCUA
245 00 $aRelevance and marginalisation in Scandinavian and European performing arts 1770-1860 :$bquestioning canons /$cedited by Randi Selvik, Annabella Skagen and Svien Gladsø.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2021.
264 4 $c©2021
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Relevance and Marginalisation in Scandinavian and European Performing Arts 1780-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen's staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770-1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies"--$cProvided by publisher.
545 0 $aRandi Margrete Selvik is Professor Emeritus in musicology at the Department of Music, Norwegian University of Science and Technology (NTNU), Trondheim. Her primary research interests include music history from the seventeenth to the early nineteenth centuries, with French baroque opera, Nordic Singspiel, and musical dilettantism in Norway as important focus areas. Svein Gladsø is Professor Emeritus in theatre studies at theDepartment of Art and Media Studies, Norwegian University of Science and Technology (NTNU), Trondheim. His main research interests include theatre history, dramaturgy, theatre politics, and theatre theory. He has been chair of the Association of Nordic Theatre Scholars and the editor of Nordic Theatre Studies. Annabella Skagen is Senior Curator at Ringve Music Museum in Trondheim, Norway. She holds a PhD in theatre studies from the Norwegian University of Science and Technology (NTNU), Trondheim (2015). Her main research interests include theatre and music history in the eighteenth and nineteenth centuries, centring around performative practices within the contexts of politics, sociability, and identity.
588 $aDescription based on online resource; title from digital title page (viewed on February 22, 2021).
650 0 $aArts and society$zScandinavia$xHistory$y18th century.
650 0 $aPerforming arts$zScandinavia$xHistory$y18th century.
650 0 $aPerforming arts$zScandinavia$xHistory$y19th century.
650 0 $aCanon (Art)
650 7 $aArts and society$2fast$0(OCoLC)fst00817856
650 7 $aCanon (Art)$2fast$0(OCoLC)fst00845905
650 7 $aPerforming arts$2fast$0(OCoLC)fst01057887
651 7 $aScandinavia$2fast$0(OCoLC)fst01242804
650 7 $aART / General$2bisacsh
650 7 $aMUSIC / General$2bisacsh
650 7 $aPERFORMING ARTS / General$2bisacsh
648 7 $a1700-1899$2fast
655 7 $aHistory$2fast$0(OCoLC)fst01411628
655 4 $aElectronic books.
700 1 $aSelvik, Randi M.,$d1944-$eeditor.
700 1 $aSkagen, Annabella,$eeditor.
700 1 $aGladsø, Svein,$eeditor.
776 08 $iPrint version:$tRelevance and marginalisation in Scandinavian and European performing arts 1770-1860$dAbingdon, Oxon ; New York : Routledge, 2021.$z9780367469436$w(DLC) 2020033741
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15327803$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS