MARC Record from marc_columbia

LEADER: 03714cam a2200577 i 4500
001 15425335
005 20210413094939.0
008 210201s2020 pe a b 000 0 spa d
035 $a(OCoLC)on1236228332
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dNNC
020 $a9972466744
020 $a9789972466748
035 $a(OCoLC)1236228332
043 $as-pe---
050 4 $aND419.S3$bV55 2020
049 $aZCUA
100 1 $aVillegas Torres, Fernando,$d1978-$eauthor.
245 10 $aJosé Sabogal y la escuela peruana mestiza :$bel Instituto de Arte Peruano (1931-1973) /$cFernando Villegas Torres.
246 30 $aInstituto de Arte Peruano (1931-1973)
250 $aPrimera edición.
264 1 $aLima, Peru :$bUniversidad Nacional Mayor de San Marcos, Fondo Editorial,$c2020.
300 $a162 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSerie Arte
500 $aAlso contains a table on an envelope (verso):
504 $aIncludes bibliographical references (pages 153-162).
520 $aIn mid-July 1919, at Casa Brandes, a shop located in the central street of Espaderos (Lima), an exhibition was held that would change the course of Peruvian art of the 20th century. Its title was "Impresiones de Ccoscco" (Impressions of Ccoscco) and consisted of paintings, drawings and cartoons made by a young artist born in Cajamarca in 1888, and who returned to Lima after having spent a season in Europe and having lived in the cities of Jujuy (Argentina), and in Cusco. With this exhibition, which highlighted portraits of young Creole, mestizo, and indigenous Cusqueño characters and landscapes with pre-Hispanic architecture, José Sabogal inaugurated a new era in the history of Peruvian art. His work would eventually break with the pricey and academic charges of the 19th century Lima, and highlight that deep, indigenous, mestizo and popular country that began to peek into the political and social discourses of the early 20th century. "In this book, Fernando Villegas analyses the work, at the Institute of Peruvian Art, by José Sabogal (Cajabamba, 1888 - Lima, 1956) and his disciples, who were guided by the conviction that true Peruvian art was that of popular and mestizo roots, which had come with verve to the present day after crossing the pre-Hispanic and colonial periods, and that it had fed on all those journeys of its many contexts ... Dr. Rodrigo Gutiérrez Viñuales".
546 $aIn Spanish.
600 10 $aSabogal, José,$d1888-1956.
610 20 $aInstituto de Arte Peruano$xHistory.
650 0 $aArtists$zPeru$vBiography.
650 0 $aWatercolor painting, Peruvian$xHistory$y20th centiry.
650 0 $aPeruvians$y20th centiry$vPictorial works.
650 0 $aIndians in art.
650 0 $aArt, Peruvian$xHistory$y20th centiry.
651 0 $aPeru$xSocial life and customs$vPictorial works.
600 17 $aSabogal, José,$d1888-1956.$2fast$0(OCoLC)fst01773057
650 7 $aArt, Peruvian.$2fast$0(OCoLC)fst00816728
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
650 7 $aIndians in art.$2fast$0(OCoLC)fst00969418
650 7 $aManners and customs.$2fast$0(OCoLC)fst01007815
650 7 $aPeruvians.$2fast$0(OCoLC)fst01058953
650 7 $aWatercolor painting, Peruvian.$2fast$0(OCoLC)fst01749022
651 7 $aPeru.$2fast$0(OCoLC)fst01205190
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
830 0 $aSerie Arte (Universidad Nacional Mayor de San Marcos)
852 00 $boff,fax$hND419.S3$iV55 2020g