MARC Record from marc_columbia

LEADER: 06036cam a2200721 i 4500
001 15437391
005 20210412103149.0
008 200518t20202020ncua b 001 0 eng
010 $a 2019055647
035 $a(OCoLC)on1133277835
040 $aNcD/DLC$beng$erda$cDLC$dOCLCF$dYDX$dIL4J6$dOCLCO
019 $a1133278619$a1236834887
020 $a9781478007807$qhardcover
020 $a147800780X$qhardcover
020 $a9781478008293$qpaperback
020 $a1478008296$qqpaperback
020 $z9781478009313$qelectronic book
035 $a(OCoLC)1133277835$z(OCoLC)1133278619$z(OCoLC)1236834887
042 $apcc
043 $an-us---
050 00 $aPN1590.S6$bR34 2020
082 00 $a791$223
049 $aZCUA
245 00 $aRace and performance after repetition /$cSoyica Diggs Colbert, Douglas A. Jones Jr., and Shane Vogel, editors.
264 1 $aDurham :$bDuke University Press,$c2020.
264 4 $c©2020
300 $aix, 333 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Tidying up after repetition / Soyica Colbert, Douglas Jones, and Shane Vogel -- So far down you can't see the light : Afrofabulation in Branden Jacob-Jenkins's An octoroon / Tavia Nyong'o -- The performance and politics of concurrent temporalities in George C. Wolfe's Shuffle along / Catherine M. Young -- A sonic treatise of futurity : Universes' Party people / Patricia Herrera -- Joe Louis's utopic glitch / Tina Post -- Sorrow's swing / Jasmine Johnson -- Parabolic moves : time, narrative, and difference in New Circus / Katherine Zien -- Choreographing time travel : rethinking ritual through Korean diasporic performance / Elizabeth W. Son -- Carceral space-times and The house that Herman built / Nicholas Fesette -- Performance interventions : natality and carceral feminism in contemporary India / Jisha Menon -- Witnessing queer flights : Josué Azor's Lougawou images and anti-homosexual unrest in Haiti / Mario LaMothe -- The body is never given, nor do we actually see it / Joshua Chambers-Letson.
520 $a"RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking inspiration from José Esteban Muñoz's work, the contributors to the collection argue that minoritarian life schedules and cultural productions alike actually exist in multiple temporalities. They take up the work of non-white artists and communities to center temporal tropes that relate to, but diverge from, repetition. Theorizing raced time through time signatures, this collection proposes a spectrum of coexisting racial temporalities. The contributions are divided into three parts, the first of which focuses on the temporality of race, history, and form in theater. For example, Patricia Herrera explores the loop in UNIVERSES' production Party People (2016), which samples speeches by the Black Panthers and Young Lords, as a sonic treatise of futurity. The chapters in Part II consider how gesture, dance, and movement can recalibrate the temporal narratives of racial subjection. For example, Tina Post considers narrative tropes of animal and mechanical movement in reporters' stories about boxer Joe Louis. Katherine Zien examines Cuisine et Confessions (2014)- a "cultural circus" in which performers cook onstage, talk about their intimate lives, and perform high-risk circus feats-to show that arcs of time and space allow minoritarian identities to emerge in performance on their own time. The chapters in the Part III each take up what music misleadingly names the rest-an interval or pause of silence. The authors in this section consider the agency, critique, and hope that percolate in such stasis, such as Jisha Menon's focus in Chapter 10 on feminist natality as an alternative to punitive measures of liberal legality in Indian sexual violence cases"--$cProvided by publisher.
650 0 $aPerforming arts$xSocial aspects$zUnited States.
650 0 $aTime$xSocial aspects$zUnited States.
650 0 $aPerforming arts$xPolitical aspects$zUnited States.
650 0 $aRacism and the arts$zUnited States.
650 0 $aRacism in popular culture$zUnited States.
650 0 $aArts and society$zUnited States.
650 0 $aTheater and society$zUnited States.
650 0 $aPolitics and culture$zUnited States.
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aPerforming arts$xPolitical aspects.$2fast$0(OCoLC)fst01057918
650 7 $aPerforming arts$xSocial aspects.$2fast$0(OCoLC)fst01057933
650 7 $aPolitics and culture.$2fast$0(OCoLC)fst01069952
650 7 $aRacism and the arts.$2fast$0(OCoLC)fst01086649
650 7 $aRacism in popular culture.$2fast$0(OCoLC)fst01086660
650 7 $aTheater and society.$2fast$0(OCoLC)fst01149315
650 7 $aTime$xSocial aspects.$2fast$0(OCoLC)fst01151066
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aPerforming arts$xSocial aspects$zUnited States.$2nli
650 7 $aTime$xSocial aspects$zUnited States.$2nli
650 7 $aPerforming arts$xPolitical aspects$zUnited States.$2nli
650 7 $aRacism and the arts$zUnited States.$2nli
650 7 $aRacism in popular culture$zUnited States.$2nli
650 7 $aArts and society$zUnited States.$2nli
650 7 $aTheater and society$zUnited States.$2nli
650 7 $aPolitics and culture$zUnited States.$2nli
700 1 $aColbert, Soyica Diggs,$d1979-$eeditor.
700 1 $aJones, Douglas A.,$eeditor.
700 1 $aVogel, Shane,$eeditor.
776 08 $iOnline version:$tRace and performance after repetition.$dDurham : Duke University Press, 2020.$z9781478009313$w(DLC) 2019055648
852 00 $bglx$hPN1590.S6$iR34 2020