MARC Record from marc_columbia

LEADER: 03943cam a2200481Ii 4500
001 15446339
005 20210810132606.0
008 201103t20202020paua cb 000 0 eng d
024 $a99987266722
035 $a(OCoLC)on1202738942
040 $aVVPCS$beng$erda$cVVPCS$dERASA$dOCLCF$dOCLCO$dYDX$dYDXIT$dDLM$dOCLCO$dCMA
019 $a1159473843
020 $a9780884541424
020 $a0884541428
020 $a0884541452$qhardcover
020 $a9780884541455$qhardcover
035 $a(OCoLC)1202738942$z(OCoLC)1159473843
050 4 $aN6538.N5$bL3 2020
082 04 $a700.411
245 04 $aThe last place they thought of /$ceditor, Daniella Rose King.
260 $aPhiladelphia, PA :$bInstitute of Contemporary Art, University of Pennsylvania,$c[2020]
264 4 $c©2020
300 $a106 pages :$bcolor illustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aArtists: Torkwase Dyson, Jade Montserrat, Lorraine O'Grady, Keisha Scarville.
500 $aPublished on the occasion of the exhibition curated by Daniella Rose King and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, April 27-August 12, 2018.
500 $aEdition of 750.
504 $aIncludes bibliographical references.
505 00 $tForeword /$rAmy Sadao --$tAcknowledgements /$rDaniella Rose King --$tGeographies of domination, transatlantic slavery, diaspora /$rKatherine McKittrick -- The last place they thought of /$rDaniella Rose King --$tInstallation photos --$tHow bodily geography can be; The margin: Black feminism and geography /$rKatherine McKittrick --$tVantapower /$rTreva Ellison.
520 $a"The Last Place They Thought Of explores how geographical, ideological and spatial paradigms determine and reproduce uneven social relations. Four artists - Torkwase Dyson, Lorraine O'Grady, Jade Montserrat, and Keisha Scarville - take very different approaches to this phenomenon, deeply considering how histories of racial, sexual, and economic exploitation have shaped our understanding of geography, and the realities of our environment. Through abstraction, performance, and fiction, this intergenerational group of artists conspire with a cadre of writers, including Katherine McKittrick, from whom the exhibition title was borrowed. Illuminating histories of black women's liberation, resistance and concealment throughout the black diaspora, this exhibition creates a discursive locus to reconsider geographic space; as it pertains to the environment and our changing climate, how it regulates the production and performance of identity, and upholds material and metaphorical borders and boundaries. -- McKittrick herself was referencing Incidents in the Life of a Slave Girl, an autobiographical narrative of Harriet Jacobs's protracted escape from bondage, hiding in "the last place they thought of"; the crawl space of her grandmother's attic. Literal and rhetorical marginalization, being in the last place is an experiential geography of black gendered bodies. This exhibition and accompanying publication seeks to explore the possibility of different, critical engagements with geography through the lens of black female subjectivities and feminisms"--Gallery website.
650 0 $aArt, Modern$y21st century$vExhibitions.
650 0 $aWomen, Black$zUnited States$xSocial conditions$vExhibitions.
650 0 $aGeography$xPsychological aspects$vExhibitions.
650 0 $aHuman geography$vExhibitions.
650 0 $aAfrican diaspora$vExhibitions.
651 0 $aUnited States$xGeography$xPsychological aspects$vExhibitions.
655 7 $aExhibition catalogs.$2lcgft
700 1 $aKing, Daniella Rose,$eeditor.
710 2 $aUniversity of Pennsylvania.$bInstitute of Contemporary Art,$ehost institution.
852 00 $boff,fax$hN6538.N5$iL3 2020g
852 00 $boff,fax$hN6538.N5$iL3 2020g