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050 4 $aPN1995.9.C513$bM46 2008eb
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100 1 $aMennel, Barbara Caroline.
245 10 $aCities and cinema /$cby Barbara Mennel.
260 $aMilton Park, Abingdon, Oxon ;$aNew York :$bRoutledge,$c2008.
300 $a1 online resource (1 volume)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
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490 1 $aRoutledge critical introductions to urbanism and the city
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
520 $a"Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners' hopes and city dwellers fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinemaputs urban theory and cinema studies in dialogue. The book's first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies."
505 0 $aIntroduction : the founding myth of cinema, or the "train effect" -- Section I : Modernity and the city film : Berlin -- The dark city and film noir : Los Angeles -- The city of love : Paris -- Section II : City film industry : Hong Kong -- The city in ruins and the divided city : Berlin, Belfast, and Beirut -- Utopia and dystopia : fantastic and virtual cities -- Section III : Ghettos and barrios -- The city as queer playground -- The global city and cities in globalization -- Conclusion : from the "train effect" to the "favela effect" : how to do further research.
545 0 $aBarbara Mennel is the Rothman Chair and Director of the Center for the Humanities and the Public Sphere at the University of Florida. She is an Associate Professor of Film Studies and German Studies in the Departments of English and Languages, Literatures, and Cultures. Her recent books include Women at Work in Twenty-First-Century European Cinema (2019) and Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys (2012).
650 0 $aCities and towns in motion pictures.
650 0 $aCity and town life in motion pictures.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aSCIENCE$xEarth Sciences$xGeography.$2bisacsh
650 7 $aCities and towns in motion pictures.$2fast$0(OCoLC)fst00861867
650 7 $aCity and town life in motion pictures.$2fast$0(OCoLC)fst00862099
655 4 $aElectronic books.
776 08 $iPrint version:$aMennel, Barbara Caroline.$tCities and cinema.$dMilton Park, Abingdon, Oxon ; New York : Routledge, 2008$z9780415364454$z0415364450$w(DLC) 2007037747$w(OCoLC)173135922
830 0 $aRoutledge critical introductions to urbanism and the city.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15071519$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS