MARC Record from marc_columbia

LEADER: 03191cam a2200445Ii 4500
001 15468163
005 20210615153626.0
008 180503t20202020ii a b 000 0 eng d
024 $a99987380627
035 $a(OCoLC)on1033774232
040 $aYDX$beng$erda$cYDX$dBDX$dUKMGB$dOCLCO$dOCLCQ$dOCLCF$dYDXIT$dOCLCO$dTXI
019 $a1033664371$a1034586374
020 $a9780857425966$qhardcover
020 $a085742596X$qhardcover
035 $a(OCoLC)1033774232$z(OCoLC)1033664371$z(OCoLC)1034586374
041 1 $aeng$hfre
043 $ae-it---
050 4 $aN6920$b.B6613 2020
082 04 $a709.456/3209032$223
082 04 $a709.032$223
100 1 $aBonnefoy, Yves,$eauthor.
245 10 $aRome, 1630 :$bthe horizon of early baroque : followed by five essays on seventeenth-century art /$cYves Bonnefoy ; edited, translated, and with an afterword by Hoyt Rogers.
264 1 $aCalcutta ;$aNew York :$bSeagull Books,$c2020.
264 4 $c©2020.
300 $aix, 450 pages :$billustrations (chiefly color) ;$c20 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslated from the French.
504 $aIncludes bibliographical references (pages [448]-450).
520 $aBernini, Poussin, Velázquez, Cortona, Borromini, Valentin: the list could go on and on. In 1630, despite their signal differences, the finest artists of the European Baroque converged on Rome, where Caravaggio was still a lingering influence. In response to the Protestant Reformation, the Catholic Church turned to masters such as these to celebrate the glories of heaven, while other patrons granted them commissions for secular works. With splendid monuments like Bernini’s Baldachin at St Peter’s, or profound canvases like the landscapes of Poussin, Rome became the crucible of major advances in seventeenth-century sculpture, painting and architecture. In the title study of this book, Yves Bonnefoy focuses on the pivotal year in the development of the Baroque style. Richly illustrated, his Rome, 1630 reveals how a pan-European movement was born from the achievements of the Italian and foreign artists who congregated in the city during that seminal period. The five supplementary essays in the volume further explore the evolution of seventeenth-century painting, particularly in the works of Elsheimer, Caravaggio, Cortona and Poussin. In his afterword, Hoyt Rogers pays homage to the author, analysing the centrality of Baroque art to Bonnefoy’s poetry and aesthetics.
505 0 $aOne of the Centuries of the Cult of Images -- Elsheimer and His Kindred -- ‘A Ceres at Night, by Adam? Elsheimer’ -- A Debate of 1630: ’The Plague at Ashdod’ and ’The Abduction of the Sabine Women’ -- ’The Shepherds of Arcadia’
650 0 $aArt, Italian$zItaly$zRome$y17th century.
650 0 $aArt, Baroque$zItaly$zRome.
650 0 $aArt, European.
650 7 $aArt, Baroque.$2fast$0(OCoLC)fst00815997
650 7 $aArt, European.$2fast$0(OCoLC)fst00816244
700 1 $aRogers, Hoyt,$eeditor,$etranslator.
852 0 $boff,fax$hN6920$i.B6613 2020g