MARC Record from marc_columbia

LEADER: 03892cam a2200649 i 4500
001 15471436
005 20220403003006.0
006 m o d
007 cr |||||||||||
008 201210s2021 nyu ob 001 0 eng
010 $a 2020049374
035 $a(OCoLC)on1226797339
035 $a(NNC)15471436
040 $aDLC$beng$erda$epn$cDLC$dOCLCF$dYDX$dTYFRS$dDLC$dOCLCO$dUKAHL$dOCLCQ$dOCLCO
020 $a9781003080350$q(ebook)
020 $a1003080359
020 $a9781000377019$q(electronic bk. ;$qEPUB)
020 $a1000377016$q(electronic bk. ;$qEPUB)
020 $a9781000376982$q(electronic bk. ;$qPDF)
020 $a1000376982$q(electronic bk. ;$qPDF)
020 $z9780367530815$q(hardback)
020 $z9780367530839$q(pbk.)
035 $a(OCoLC)1226797339
037 $a9781003080350$bTaylor & Francis
042 $apcc
050 00 $aBH301.I7
072 7 $aSOC$x026000$2bisacsh
072 7 $aJHB$2bicssc
082 00 $a306$223
049 $aZCUA
245 00 $aIsn't it ironic? :$birony in contemporary popular culture /$cedited by Ian Kinane.
246 3 $aIs not it ironic?
250 $a1 edition.
264 1 $aNew York :$bRoutledge,$c2021.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aThe cultural politics of media and popular culture
504 $aIncludes bibliographical references and index.
520 $a"This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn't it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology"--$cProvided by publisher
588 0 $aPrint version record and CIP data provided by publisher.
650 0 $aIrony$xSocial aspects.
650 0 $aPopular culture$xSocial aspects.
650 0 $aPopulism.
650 6 $aIronie$xAspect social.
650 6 $aCulture populaire$xAspect social.
650 6 $aPopulisme.
650 7 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aIrony$xSocial aspects.$2fast$0(OCoLC)fst00979389
650 7 $aPopular culture$xSocial aspects.$2fast$0(OCoLC)fst01071386
650 7 $aPopulism.$2fast$0(OCoLC)fst01071658
655 4 $aElectronic books.
700 1 $aKinane, Ian,$eeditor.
776 08 $iPrint version:$tIsn't it ironic?$b1 Edition.$dNew York : Routledge, 2021$z9780367530815$w(DLC) 2020049373
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15471436$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS