| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:472246912:3506 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:472246912:3506?format=raw |
LEADER: 03506cam a2200589 i 4500
001 15487441
005 20210520225534.0
006 m o d
007 cr cnu---unuuu
008 190513s2018 stka ob 001 0 eng d
035 $a(OCoLC)on1101100779
035 $a(NNC)15487441
040 $aN$T$beng$erda$epn$cN$T$dEBLCP$dUKMGB$dOCLCQ$dK6U$dOCLCQ$dQGJ$dAU@$dOCLCF$dUKOUP$dUKAHL$dAGLDB$dOCLCQ$dYDX$dVLY$dOCLCQ
015 $aGBB8L4956$2bnb
016 7 $a019133286$2Uk
019 $a1102270410$a1159022467$a1162918111$a1182860508$a1195958665$a1228892869
020 $a9781474421843$q(electronic bk.)
020 $a1474421849$q(electronic bk.)
020 $a9781474421850$q(ebook)
020 $a1474421857
020 $a9781474460118$q(electronic bk.)
020 $a1474460119$q(electronic bk.)
020 $z1474421830
020 $z9781474421836
035 $a(OCoLC)1101100779$z(OCoLC)1102270410$z(OCoLC)1159022467$z(OCoLC)1162918111$z(OCoLC)1182860508$z(OCoLC)1195958665$z(OCoLC)1228892869
037 $a9781474421850$bIngram Content Group
050 4 $aPN1995.9.T728$bJ68 2019eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.4362$223
049 $aZCUA
100 1 $aBayman, Louis,$eauthor
245 10 $aJourneys on the screen :$btheory, ethics, Aesthetics /$cLouis Bayman and Natália Pinazza.
264 1 $aEdinburgh :$bEdinburgh University Press,$c2019.
300 $a1 online resource (312 pages) :$billustrations (black and white)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aCover; Journeys on Screen; Copyright; Contents; Figures; Notes on the Contributors; Introduction; Part 1a Mapping Cinematic Journey; Chapter 1 Global Visions; Chapter 2 Brief Encounters; Chapter 3 Diasporic Dreams and Shattered Desires; Chapter 4 Chronotopic Ghosts and Quiet Men; Chapter 5 Memories, Notebooks, Roads; Part 1b Expanding Europe; Chapter 6 Shadows of Unforgotten Ancestors; Chapter 7 The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine; Chapter 8 Hesitant Journeys; Chapter 9 Women on the Road; Part 2a Form and Narrative in Journey Genres
505 8 $aChapter 10 The Sense of an EndingChapter 11 Moving in Circles; Chapter 12 Gothic Journeys; Chapter 13 Transnational Productions and Regional Funding; Part 2b The Politics of the Road Movie; Chapter 14 Colonialism in Latin American Road Movies; Chapter 15 Spaces of Failure; Chapter 16 Sic transit; Index
520 8 $aAddressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.
650 0 $aTravel in motion pictures.
650 0 $aTravelogues (Motion pictures)
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aTravel in motion pictures.$2fast$0(OCoLC)fst01155642
650 7 $aTravelogues (Motion pictures)$2fast$0(OCoLC)fst01750284
655 4 $aElectronic books.
700 1 $aPinazza, Natália,$eauthor
776 08 $iPrint version:$tJOURNEYS ON SCREEN.$d[Place of publication not identified] : EDINBURGH UNIV PRESS, 2018$z1474421830$w(OCoLC)1032360393
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15487441$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS