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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:476771025:7528
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:476771025:7528?format=raw

LEADER: 07528cam a2200937Ii 4500
001 15490281
005 20210526095258.0
008 150715s2012 enka 000 p eng d
035 $a(OCoLC)ocn913833441
040 $aIUP$beng$cIUP$dIUP$dOCLCQ$dOCLCF$dOCL
035 $a(OCoLC)913833441
043 $aa-iq---$ae-uk-en
050 4 $aN7433.4.R8786$bP3447 2012
049 $aZCUA
100 1 $aRuston, Chris,$ebook artist.
245 10 $aPages of time /$cChris Ruston.
260 $a[Southend-on-Sea, England?] :$b[publisher not identified],$c[2012]
300 $a3 volumes (unpaged) :$billustrations ;$c21 x 15 cm +$e6 clay stones
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aMedium. Various fine papers, drawing inks, gold leaf.
500 $a"I would like to thank Eileen Grace O'Malley Callahan for her kind permission to use her words."
500 $a"Pages of time comprises three books: In the still hot air, Crumbling pages, and The heart now held. Beginning with the raw pain of loss, In the still hot air, a hollow figure lies in the centre of the book. This is followed by Crumbling pages, where the figure rests quietly beneath Eileen Callahan's words. Finally the third book's content is enclosed within an ancient cuneiform tablet, opening to remind us of The heart now held. Together they form a gesture of remembrance in the face of ongoing grief - for to remember is to keep alive"--The Book Arts at the Centre for Fine Print Research, UK website.
500 $aOn March 5th, 2007, a car bomb exploded on al-Mutanabbi Street in Baghdad. Al-Mutanabbi Street is located in a mixed Shia-Sunni area. More than 30 people were killed and more than 100 wounded. Al-Mutanabbi Street, the historic center of Baghdad bookselling, holds bookstores and outdoor bookstalls, cafes, stationery shops, and even tea and tobacco shops. It has been the longstanding heart and soul of the Baghdad literary and intellectual community for centuries. In response to the attack, a San Francisco poet and bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists' books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition of contributing artists calls itself Al-Mutanabbi Street Starts Here Coalition.
520 $aThis collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.
520 $a"From an original background in Fine Art, Chris Ruston enjoys working with paper and ink, producing both paintings and artists books. Her images are created by allowing an interplay between the random mark, and the directed hand. Starting with a loose idea, her approach allows the fluid technique of working wet into wet to play a part in guiding the direction of the work. This is a process which can only be partially controlled. Repeating simular marks offers a variety of results. Sometimes the joy of a random mark is enough, while at other times the piece becomes layered and worked over and over, buried like layers of strata, holding and containing a moment of time. Recent work has been concerned with aspects of our changing climate. Chris is particuarly interested in what is happening to the ice caps. She seeks to express something more than her personal story, and reaches out to broader aspects of life and the enviroment. The idea of connecting to something beyond the self, and incorporating Earth's story, is a constant thread through her work. A number of themes are revisited and explored; all share this common link - a celebration of the natural world, and of the human spirit. The work invites the viewer to follow, to unravel secrets, and to pay close attention to the world around them"--Artist's personal website (viewed July 15, 2015).
505 00 $g[Vol. 1].$tIn the still hot air --$g[v. 2].$tCrumbling pages --$g[v. 3].$tThe heart now held.
600 10 $aRuston, Chris.
610 20 $aAl-Mutanabbi Street Coalition.
650 0 $aViolence$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aBooksellers and bookselling$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aBombings$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aIraq War, 2003-2011$xProtest movements$vPictorial works.
650 0 $aBooks and reading in art$y21st century$vPictorial works.
651 0 $aIraq$xIntellectual life$y21st century$vPictorial works.
651 0 $aIraq$xSocial conditions$y21st century$vPictorial works.
650 0 $aCensorship$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aTerrorism in art$y21st century$vPictorial works.
651 0 $aIraq$vIn art.
650 0 $aWar and civilization$zIraq.
650 0 $aVehicle bombs$zIraq$zBaghdad$vPictorial works.
650 0 $aVisual literature$vSpecimens.
650 0 $aCollective memory.
650 0 $aLoss (Psychology) in art.
650 0 $aGrief in art.
650 0 $aCuneiform tablets.
650 0 $aTime in art.
650 0 $aArtists' books$zEngland$zSouthend-on-Sea.
650 7 $aArtists' books.$2fast$0(OCoLC)fst00817660
650 7 $aBombings.$2fast$0(OCoLC)fst00835818
650 7 $aBooks and reading in art.$2fast$0(OCoLC)fst00836477
650 7 $aBooksellers and bookselling.$2fast$0(OCoLC)fst00836492
650 7 $aCensorship.$2fast$0(OCoLC)fst00850568
650 7 $aCollective memory.$2fast$0(OCoLC)fst01739814
650 7 $aCuneiform tablets.$2fast$0(OCoLC)fst00885202
650 7 $aGrief in art.$2fast$0(OCoLC)fst00947905
650 7 $aIntellectual life.$2fast$0(OCoLC)fst00975769
650 7 $aLoss (Psychology) in art.$2fast$0(OCoLC)fst01903804
650 7 $aProtest movements.$2fast$0(OCoLC)fst01079826
650 7 $aSocial conditions.$2fast$0(OCoLC)fst01919811
650 7 $aTerrorism in art.$2fast$0(OCoLC)fst01148150
650 7 $aTime in art.$2fast$0(OCoLC)fst01151107
650 7 $aVehicle bombs.$2fast$0(OCoLC)fst01164956
650 7 $aViolence.$2fast$0(OCoLC)fst01167224
650 7 $aVisual literature.$2fast$0(OCoLC)fst01168041
650 7 $aWar and civilization.$2fast$0(OCoLC)fst01170426
651 7 $aEngland$zSouthend-on-Sea.$2fast$0(OCoLC)fst01210681
651 7 $aIraq.$2fast$0(OCoLC)fst01205757
651 7 $aIraq$zBaghdad.$2fast$0(OCoLC)fst01207444
647 7 $aIraq War$d(2003-2011)$2fast$0(OCoLC)fst01802311
648 7 $a2000-2099$2fast
655 7 $aArt.$2fast$0(OCoLC)fst01423702
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
655 7 $aSpecimens.$2fast$0(OCoLC)fst01423861
655 7 $aArtists' books.$2rbgenr
710 2 $aAl-Mutanabbi Street Coalition.
710 2 $aAl-Mutanabbi Street Starts Here Artists' Books Collection (Columbia University. Rare Book and Manuscript Library)$5NNC
852 80 $brbx$kALMUTANABBI$h206
541 1 $cGift;$aBeau Beausoleil;$d2019-2020.