Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:477336581:6560 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:477336581:6560?format=raw |
LEADER: 06560cam a2200913Ii 4500
001 15490871
005 20210527132329.0
008 150730s2012 maua 000 0 eng d
035 $a(OCoLC)ocn915137996
040 $aIUP$beng$cIUP$dOCLCQ$dOCLCF$dOCL
035 $a(OCoLC)915137996
043 $aa-iq---$an-us-ma
050 4 $aN7433.4.Z3684$bF7546 2012
049 $aZCUA
100 1 $aZanten, Merike van,$ebook artist.
245 12 $aA friend /$cMerike van Zanten.
260 $a[Cambridge MA] :$b[publisher not identified],$c[2012]
300 $a1 artist's book :$bcolor illustrations ;$c25 x 20 x 4 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aMedium/Materials: Book, bandages, text on transparency, quote by Euripides; memory box.
500 $aOn March 5th, 2007, a car bomb exploded on al-Mutanabbi Street in Baghdad. Al-Mutanabbi Street is located in a mixed Shia-Sunni area. More than 30 people were killed and more than 100 wounded. Al-Mutanabbi Street, the historic center of Baghdad bookselling, holds bookstores and outdoor bookstalls, cafes, stationery shops, and even tea and tobacco shops. It has been the longstanding heart and soul of the Baghdad literary and intellectual community for centuries. In response to the attack, a San Francisco poet and bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists' books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition of contributing artists calls itself Al-Mutanabbi Street Starts Here Coalition.
520 $aThis collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.
520 $a"The quote by Euripides, one of the great tragedians of classical Athens, expresses my feelings about why I joined the Al-Mutanabbi Street Coalition. Too often we turn away from atrocities like this. Either because we don't know how to react to carnage, pain, loss, and sorrow, or because a constant barrage of violence portrayed in the news has dulled our feelings"--Artist's statement from the Book Arts at the Centre for Fine Print Research, UK website.
545 $aHolland-born, Massachusetts-based mixed media artist Merike Van Zanten makes sculptural paper forms and artists books using found materials. Merike van Zanten got her BA (Honors) in Ceramics from the University of the Creative Arts, Rochester, UK. During this period, she had artist residencies in the USA and Italy. At the London New Designers Exhibition in 2002, she was one of the top ten designers. In 2003, Van Zanten moved to the USA, and began working in letterpress design, printing, and the book arts. She has made commissioned work in the USA and The Netherlands, has work in private collections in The Netherlands, England, and the USA, and has exhibited in England, and currently, in the USA.
600 10 $aZanten, Merike van.
650 0 $aViolence$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aBooksellers and bookselling$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aBombings$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aIraq War, 2003-2011$xProtest movements$vPictorial works.
650 0 $aBooks and reading in art$y21st century$vPictorial works.
651 0 $aIraq$xIntellectual life$y21st century$vPictorial works.
651 0 $aIraq$xSocial conditions$y21st century$vPictorial works.
650 0 $aCensorship$zIraq$zBaghdad$y21st century$vPictorial works.
650 0 $aTerrorism in art$y21st century$vPictorial works.
651 0 $aIraq$vIn art.
650 0 $aWar and civilization$zIraq.
650 0 $aVehicle bombs$zIraq$zBaghdad$vPictorial works.
650 0 $aVisual literature$vSpecimens.
650 0 $aCultural property$xDestruction and pillage.
650 0 $aIntellectual freedom$xIn art.
650 0 $aPain in art.
650 0 $aLoss (Psychology) in art.
650 0 $aGrief in art.
650 0 $aArtists' books$zMassachusetts$zCambridge.
650 7 $aArtists' books.$2fast$0(OCoLC)fst00817660
650 7 $aBombings.$2fast$0(OCoLC)fst00835818
650 7 $aBooks and reading in art.$2fast$0(OCoLC)fst00836477
650 7 $aBooksellers and bookselling.$2fast$0(OCoLC)fst00836492
650 7 $aCensorship.$2fast$0(OCoLC)fst00850568
650 7 $aCultural property$xDestruction and pillage.$2fast$0(OCoLC)fst01910937
650 7 $aGrief in art.$2fast$0(OCoLC)fst00947905
650 7 $aIntellectual freedom.$2fast$0(OCoLC)fst00975768
650 7 $aIntellectual life.$2fast$0(OCoLC)fst00975769
650 7 $aLoss (Psychology) in art.$2fast$0(OCoLC)fst01903804
650 7 $aPain in art.$2fast$0(OCoLC)fst01050420
650 7 $aProtest movements.$2fast$0(OCoLC)fst01079826
650 7 $aSocial conditions.$2fast$0(OCoLC)fst01919811
650 7 $aTerrorism in art.$2fast$0(OCoLC)fst01148150
650 7 $aVehicle bombs.$2fast$0(OCoLC)fst01164956
650 7 $aViolence.$2fast$0(OCoLC)fst01167224
650 7 $aVisual literature.$2fast$0(OCoLC)fst01168041
650 7 $aWar and civilization.$2fast$0(OCoLC)fst01170426
651 7 $aIraq.$2fast$0(OCoLC)fst01205757
651 7 $aIraq$zBaghdad.$2fast$0(OCoLC)fst01207444
651 7 $aMassachusetts$zCambridge.$2fast$0(OCoLC)fst01205363
647 7 $aIraq War$d(2003-2011)$2fast$0(OCoLC)fst01802311
648 7 $a2000-2099$2fast
655 7 $aArt.$2fast$0(OCoLC)fst01423702
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
655 7 $aSpecimens.$2fast$0(OCoLC)fst01423861
655 7 $aArtists' books.$2rbgenr
700 0 $aEuripides.
710 2 $aAl-Mutanabbi Street Starts Here Artists' Books Collection (Columbia University. Rare Book and Manuscript Library)$5NNC
710 2 $aAl-Mutanabbi Street Coalition.
852 80 $brbx$kALMUTANABBI$h262$mFolio
541 1 $cGift;$aBeau Beausoleil;$d2019-2020.