Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:50047090:5438 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:50047090:5438?format=raw |
LEADER: 05438cam a2200577Ma 4500
001 15072548
005 20210607125227.0
006 m o d
007 cr zn|||||||||
008 050128s2005 enk ob 001 0 eng d
035 $a(OCoLC)ocn252743283
035 $a(NNC)15072548
040 $aMT4IT$beng$epn$cMT4IT$dOCLCQ$dN$T$dYDXCP$dE7B$dAZU$dOCLCQ$dQE2$dIDEBK$dOCLCQ$dREDDC$dOCLCQ$dOCLCO$dOCLCF$dTYFRS$dQCL$dEUX$dOCLCQ$dAU@$dOTZ$dLOA$dCOCUF$dAGLDB$dOCLCQ$dMERUC$dOCLCQ$dCOO$dICG$dZCU$dSTF$dK6U$dU3W$dD6H$dWRM$dOCLCQ$dVTS$dCEF$dVT2$dLHU$dFVL$dOCLCQ$dWYU$dDKC$dOCLCQ$dCNTRU$dMT4IT$dUKAHL$dOCLCQ$dHS0$dDCT$dYDX
019 $a62350283$a149666412$a319493289$a455984727$a519813931$a648144273$a712975479$a756871862$a954341044$a958482222
020 $a0203696220$q(electronic bk.)
020 $a9780203696224$q(electronic bk.)
020 $a9780415349789$q(hbk.)
020 $a0415349788$q(hbk.)
020 $a9780415349796$q(pbk.)
020 $a0415349796$q(pbk.)
020 $a9786610247523
020 $a6610247528
020 $z0415349788$q(Cloth)
020 $z0415349796$q(pbk.)
035 $a(OCoLC)252743283$z(OCoLC)62350283$z(OCoLC)149666412$z(OCoLC)319493289$z(OCoLC)455984727$z(OCoLC)519813931$z(OCoLC)648144273$z(OCoLC)712975479$z(OCoLC)756871862$z(OCoLC)954341044$z(OCoLC)958482222
050 4 $aBH39$b.G67 2005eb
055 13 $aBH39$b.G67 2005eb
072 7 $aPHI$x001000$2bisacsh
080 $a709
082 04 $a111/.85$222
049 $aZCUA
100 1 $aGraham, Gordon,$d1949 July 15-
245 10 $aPhilosophy of the arts :$ban introduction to aesthetics /$cGordon Graham.
250 $a3rd ed.
260 $aLondon ;$aNew York :$bRoutledge,$c2005.
300 $a1 online resource (xi, 268 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 252-255) and index.
505 0 $aArt and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression vs expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Résumé -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value -- Art and the visual -- Visual art and the non-visual -- Film as art -- Montage vs long shot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form, function and 'the decorated shed' -- Façade, deception and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Résumé -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde -- The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- Objectivism vs subjectivism -- The artist's intention and the 'intentional fallacy' -- The aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Marxism and the sociology of art -- Lévi-Strauss and structuralism -- Derrida, deconstruction and postmodernism -- Normative theory of art.
588 0 $aPrint version record.
520 $aPhilosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:is jargon-free and will appeal to students of music, art history and literature as well as philosophylooks at a wide range of the arts from film, painting and architec.
650 0 $aAesthetics.
650 7 $aPHILOSOPHY$xAesthetics.$2bisacsh
650 7 $aAesthetics.$2fast$0(OCoLC)fst00798702
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aGraham, Gordon, 1949 July 15-$tPhilosophy of the arts.$b3rd ed.$dLondon ; New York : Routledge, 2005$w(DLC) 2005002568
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15072548$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS