Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:57543435:4272 |
Source | marc_columbia |
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LEADER: 04272cam a2200685 a 4500
001 15074433
005 20220723230536.0
006 m o d
007 cr cnu---unuuu
008 081123s2009 nyuab ob 001 0 eng d
035 $a(OCoLC)ocn276272517
035 $a(NNC)15074433
040 $aN$T$beng$epn$cN$T$dOCLCQ$dIDEBK$dE7B$dOCLCQ$dMYPMP$dOCLCQ$dYDXCP$dOCLCF$dOCL$dTYFRS$dOCLCQ$dOCL$dOCLCA$dAU@$dUKAHL$dOCLCQ$dYDX$dK6U$dOCLCO$dSFB$dOCLCO$dOCLCQ
016 7 $a000045251603$2AU
019 $a646773195$a1058032286$a1260362281
020 $a9780203005514$q(electronic bk.)
020 $a0203005511$q(electronic bk.)
020 $z041597156X
020 $z9780415971560
035 $a(OCoLC)276272517$z(OCoLC)646773195$z(OCoLC)1058032286$z(OCoLC)1260362281
043 $aa-mp---
050 4 $aML345.M655$bM37 2009eb
072 7 $aMUS$x033000$2bisacsh
072 7 $aMUS$x006000$2bisacsh
082 04 $a780.51/70904$222
049 $aZCUA
100 1 $aMarsh, Peter K.
245 14 $aThe horse-head fiddle and the cosmopolitan reimagination of tradition in Mongolia /$cPeter K. Marsh.
260 $aNew York :$bRoutledge,$c2009.
300 $a1 online resource (x, 176 pages) :$billustrations, map
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aCurrent research in ethnomusicology
504 $aIncludes bibliographical references (pages 161-171) and index.
505 0 $aTwo-stringed fiddle traditions in pre-revolutionary Mongolian society -- Building a national music culture -- Soviet modernism and cosmopolitan nationalism -- N. Jantsannorow and the reshaping of Mongolian musical nationalism -- The folk revival and the reimagination of the horse-head fiddle -- The persistence of alternative music histories.
588 0 $aPrint version record.
520 $aFew other nations have undergone as profound a change in their social, political, and cultural life as Mongolia did in the twentieth century. Beginning the century as a largely rural, nomadic, and tradition-oriented society, the nation was transformed by the end of this century into a largely urban, post-industrial, and cosmopolitan one. This study seeks to understand the effects that Western-inspired modernity has had on the nature of cultural tradition in the country, focusing in particular on development of the morin khuur or "horse-head fiddle," a two-stringed bowed folk lute that features a horse's head carved into its crown. As well as being one of the most popular instruments in the contemporary national musical culture, it has also become an icon of Mongolian national identity and a symbol of the nation's ancient cultural heritage. In its modern form, however, the horse-head fiddle reflects the values of a modern, cosmopolitan society that put it profoundly at odds with those of the traditional society. In so doing, it also reflects the cosmopolitan nature of the nation's contemporary national musical culture
650 0 $aMusic$zMongolia$y20th century$xHistory and criticism.
650 0 $aMorin huur.
650 0 $aCosmopolitanism$zMongolia.
650 0 $aNationalism in music.
650 6 $aMorin khuur.
650 6 $aCosmopolitisme$zMongolie.
650 6 $aNationalisme dans la musique.
650 7 $amorin khuur.$2aat
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aCosmopolitanism.$2fast$0(OCoLC)fst00880635
650 7 $aMorin huur.$2fast$0(OCoLC)fst01026195
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aNationalism in music.$2fast$0(OCoLC)fst01033902
651 7 $aMongolia.$2fast$0(OCoLC)fst01208752
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aMarsh, Peter K.$tHorse-head fiddle and the cosmopolitan reimagination of tradition in Mongolia.$dNew York : Routledge, 2009$z9780415971560$z041597156X$w(DLC) 2008019941$w(OCoLC)227571663
830 0 $aCurrent research in ethnomusicology (Unnumbered)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15074433$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS