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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:58201854:3446
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:58201854:3446?format=raw

LEADER: 03446cam a2200577Ma 4500
001 15074610
005 20220430234326.0
006 m o d
007 cr cn|||||||||
008 060929s2007 enk ob 001 0 eng d
035 $a(OCoLC)ocn290509841
035 $a(NNC)15074610
040 $aCaPaEBR$beng$epn$cCOCUF$dOCLCQ$dN$T$dYDXCP$dGPM$dEBLCP$dIDEBK$dOCLCQ$dE7B$dMHW$dOCLCQ$dOCLCF$dCOO$dOCLCQ$dD6H$dOCLCQ$dMOR$dYDX$dAZK$dCNNLC$dOCLCQ$dBRL$dLND$dNRAMU$dOCLCQ$dYOU$dUKAHL$dOCLCQ$dK6U$dOCLCO
019 $a318460826$a465525913$a475744051$a648339670$a743197837$a815745380$a959032609$a1037506860
020 $a9780754687870$q(electronic bk.)
020 $a0754687872$q(electronic bk.)
020 $a0754653730$q(alk. paper)
020 $a9780754653738$q(alk. paper)
020 $a1281894044
020 $a9781281894045
020 $z9780754653738$q(alk. paper)
035 $a(OCoLC)290509841$z(OCoLC)318460826$z(OCoLC)465525913$z(OCoLC)475744051$z(OCoLC)648339670$z(OCoLC)743197837$z(OCoLC)815745380$z(OCoLC)959032609$z(OCoLC)1037506860
043 $ae-uk---
050 4 $aML3917.G7$bC56 2007eb
072 7 $aMUS$x029000$2bisacsh
072 7 $aKNTF$2bicssc
082 04 $a781.640941$222
049 $aZCUA
100 1 $aCloonan, Martin.
245 10 $aPopular music and the state in the UK :$bculture, trade, or industry? /$cMartin Cloonan.
260 $aAldershot, Hampshire, England ;$aBurlington, VT :$bAshgate,$c©2007.
300 $a1 online resource (xii, 166 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references (pages 145-157) and index.
505 0 $aPopular music and politics from the 1950s : a brief guide -- Cultural policy from 1945 to New Labour -- New Labour-new pop? -- Reporting the music industries -- Policy on the ground : the new deal for musicians -- A new lens? Popular music and devolution : the case of Scotland.
520 $aAmidst the rise of the free market and economic globalization, Martin Cloonan examines why politicians and policymakers in the UK have sought to intervene in popular music?a field that has often been held up as the epitome of the free market form. Cloonan traces the development of government attitudes and policies towards popular music from the 1950s to the present, discovering the prominence of two overlapping concerns: public order and the political economy of music. Since the music industry began to lobby politicians, an inherent tension has become apparent with economic rationale on one si.
588 0 $aPrint version record.
650 0 $aPopular music$xPolitical aspects$zGreat Britain.
650 6 $aMusique populaire$xAspect politique$zGrande-Bretagne.
650 7 $aMUSIC$xGenres & Styles$xPop Vocal.$2bisacsh
650 7 $aPopular music$xPolitical aspects.$2fast$0(OCoLC)fst01071452
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aCloonan, Martin.$tPopular music and the state in the UK.$dAldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2007$w(DLC) 2006032546
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15074610$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS