MARC Record from marc_columbia

LEADER: 03511cam a2200529Ia 4500
001 15076783
005 20220604232132.0
006 m o d
007 cr cnu---unuuu
008 091112s2009 enka ob 001 0 eng d
035 $a(OCoLC)ocn465235018
035 $a(NNC)15076783
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019 $a500808538$a816326250$a959032488
020 $a9780754694601$q(electronic bk.)
020 $a0754694607$q(electronic bk.)
020 $a9780754656067$q(Cloth)
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035 $a(OCoLC)465235018$z(OCoLC)500808538$z(OCoLC)816326250$z(OCoLC)959032488
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245 00 $aKeys to the drama :$bnine perspectives on sonata forms /$cedited by Gordon Sly.
260 $aFarnham, England ;$aBurlington, VT :$bAshgate,$c©2009.
300 $a1 online resource (xviii, 229 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aThe divided tonic in the first movement of Beethoven's Op. 132 / Frank Samarotto -- Types, tokens, and Figaro : musical structure and dramatic narrative in the act I trio from Mozart's Marriage of Figaro / Matthew Shaftel -- Mahler's Third symphony and the dismantling of sonata form / William Marvin -- Motivic design and coherence in the first movement of Schubert's "Arpeggione" sonata D. 821 / Evan Jones -- Reading Mozart's piano sonata in D major (K. 311) first movement / Neil Minturn -- Design and structure in Schubert's sonata forms : an evolution toward integration / Gordon Sly -- On Chopin's Fourth ballade / Edward Laufer -- Committing to opening theme possibilities : how Beethoven's sketchbook struggles are reflected in two symphonic movements / Alan Gosman -- A-major events / Brian Alegant.
520 $aSonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within.
588 0 $aPrint version record.
650 0 $aSonata form.
650 0 $aMusical analysis.
650 6 $aForme sonate.
650 6 $aAnalyse musicale.
650 7 $aMUSIC$xMusical Instruments$xGeneral.$2bisacsh
650 7 $aMusical analysis.$2fast$0(OCoLC)fst01030696
650 7 $aSonata form.$2fast$0(OCoLC)fst01125800
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aSly, Gordon Cameron,$d1958-
776 08 $iPrint version:$tKeys to the drama.$dFarnham, England ; Burlington, VT : Ashgate, ©2009$z9780754656067$w(DLC) 2008049687$w(OCoLC)276274634
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15076783$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS