MARC Record from marc_columbia

LEADER: 04670cam a2200985 a 4500
001 15080773
005 20210904230925.0
006 m o d
007 cr bn||||||abp
007 cr bn||||||ada
008 101107s2001 nyu ob 001 0 eng d
035 $a(OCoLC)ocn680187639
035 $a(NNC)15080773
040 $aOCLCE$beng$epn$cOCLCE$dOCLCQ$dYDXCP$dOCLCO$dTYFRS$dOCLCF$dE7B$dN$T$dOCLCO$dOCLCQ$dOCLCO$dOCLCQ$dOCL$dMOR$dOCLCO$dOCLCQ$dINARC$dLND$dAU@$dOCLCQ$dUKAHL$dOCLCA$dYDX$dOCLCO$dOCLCQ
019 $a639657318$a872666360$a988483909$a1036884985$a1058259642$a1082212084
020 $a9781135206512$q(electronic bk.)
020 $a1135206511$q(electronic bk.)
020 $a9780203700235$q(e-book)
020 $a0203700236$q(e-book)
020 $a9781135206529$q(e-book ;$qPDF)
020 $a113520652X
020 $a9781135206475$q(e-book ;$qMobi)
020 $a1135206473
020 $z0415936837
020 $z9780415936835
020 $z0415936845$q(pbk.)
020 $z9780415936842$q(pbk.)
024 7 $a10.4324/9780203700235$2doi
035 $a(OCoLC)680187639$z(OCoLC)639657318$z(OCoLC)872666360$z(OCoLC)988483909$z(OCoLC)1036884985$z(OCoLC)1058259642$z(OCoLC)1082212084
042 $adlr
050 4 $aML1380$b.T38 2001
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 04 $a780/.06$221
084 $a786.7$223
084 $a24.69$2bcl
084 $a71.43$2bcl
084 $aLR 57720$2rvk
084 $aLR 57790$2rvk
084 $aLR 56807$2rvk
084 $aLS 48000$2rvk
084 $a9,2$2ssgn
049 $aZCUA
100 1 $aTaylor, Timothy Dean.
245 10 $aStrange sounds :$bmusic, technology & culture /$cTimothy D. Taylor.
260 $aNew York :$bRoutledge,$c2001.
300 $a1 online resource (x, 278 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 245-269) and index.
505 00 $g1.$tWill the revolution be digitized --$g2.$tMusic, technology, agency, and practice --$g3.$tPostwar music and the technoscientific imaginary --$g4.$tMen, machines, and music in the space-age 1950s --$g5.$tTechnostalgia --$g6.$tA riddle wrapped in a mystery --$g7.$tMusic at home, politics afar --$g8.$tTurn on, tune in, trance out --$g9.$tAnxiety, consumption, and agency.
520 $aClearly technology has added a voice to music, but how does that voice affect the traditional human craftsmanship of music? Timothy Taylor addresses the anxieties provoked by the use of technology in music.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusic and technology.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.
650 6 $aMusique électronique$xHistoire et critique.
650 6 $aMusique et technologie.
650 6 $aMusique$y20e siècle$xHistoire et critique.
650 6 $aMusique$y20e siècle$xPhilosophie et esthétique.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aElectronic music.$2fast$0(OCoLC)fst00907363
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic and technology.$2fast$0(OCoLC)fst01030490
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aMusik$2gnd
650 7 $aDigitaltechnik$2gnd
650 7 $aElektronische Musik$2gnd
650 17 $aElektronische muziek.$2gtt
650 17 $aDigitale technieken.$2gtt
650 17 $aInternet.$2gtt
650 17 $aCultuurverandering.$2gtt
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aTaylor, Timothy Dean.$tStrange sounds.$dNew York : Routledge, 2001$w(DLC) 2001041984$w(OCoLC)47623875
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15080773$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS