It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:93910753:6611
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:93910753:6611?format=raw

LEADER: 06611cam a2201045 a 4500
001 15084103
005 20220627125804.0
006 m o d
007 cr cnu---unuuu
008 120402s2012 nyua ob 001 0 eng d
035 $a(OCoLC)ocn782918291
035 $a(NNC)15084103
040 $aN$T$beng$epn$cN$T$dYDXCP$dE7B$dOCLCQ$dUKDOC$dOCLCO$dTYFRS$dIDEBK$dCDX$dOCLCQ$dOCLCO$dLUN$dOCLCQ$dCNCGM$dBUF$dOCLCF$dOCLCQ$dINT$dAU@$dOCLCQ$dUKAHL$dLEAUB$dYDX$dOCLCO$dK6U$dOCLCO$dOCLCQ$dOCLCO
019 $a778623586$a781831168$a785783516$a817059108$a824108639$a1000426698$a1058495145$a1086511530
020 $a9781136289200$q(electronic bk.)
020 $a1136289208$q(electronic bk.)
020 $a1283458330
020 $a9781283458337
020 $a9781136289156
020 $a1136289151
020 $a9780203113981
020 $a0203113985
020 $a9781136289194
020 $a1136289194
020 $a9780415744249
020 $a0415744245
020 $z9780415895507
020 $z0415895502
035 $a(OCoLC)782918291$z(OCoLC)778623586$z(OCoLC)781831168$z(OCoLC)785783516$z(OCoLC)817059108$z(OCoLC)824108639$z(OCoLC)1000426698$z(OCoLC)1058495145$z(OCoLC)1086511530
043 $an-us---
050 4 $aPS153.N5$bB669 2012eb
072 7 $aART$x060000$2bisacsh
072 7 $aART$x025000$2bisacsh
072 7 $aDS$2bicssc
082 04 $a700/.45610820973$223
084 $aLIT004040$aSOC032000$aART038000$2bisacsh
084 $aHU 1691$2rvk
084 $aHU 1728$2rvk
084 $aHU 1732$2rvk
049 $aZCUA
100 1 $aBrown, Caroline A.,$d1967-
245 14 $aThe Black female body in American literature and art :$bperforming identity /$cCaroline A. Brown.
260 $aNew York :$bRoutledge,$c2012.
300 $a1 online resource (xvi, 289 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge interdisciplinary perspectives on literature ;$v5
520 $a"This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media--photos, collage, video, and assembled objects, as opposed to words and rhythm--both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate."--Provided by publisher
504 $aIncludes bibliographical references (pages 257-272) and index.
588 0 $aPrint version record.
505 0 $a1. The poetics of late capitalism and the black cultural imaginary : revising modernity's archive through postmodern praxis -- 2. A complicated anger : the performative body as postmodern bricolage -- 3. The haunted echo and the riddle of the word : the black musical tradition as the renegotiation of identity in Lorna Simpson, Gayl Jones, and Toni Morrison -- 4. When the circle has been broken and no words can heal the pain : possession-performance as ritual mourning in Carrie Mae Weems, Paule Marshall, and Edwidge Danticat -- 5. The silenced tongue, a rebellious art : the body as tableau in Betye Saar, Gloria Naylor, and Martha Southgate -- 6. The scopic and the scene : the aesthetics of spectatorship and the destabilization of the racial gaze in Kara Walker, Andrea Lee, and Jamaica Kincaid.
610 27 $aUniversidad Sergio Arboleda$2gnd
650 0 $aAmerican fiction$xAfrican American authors$xHistory and criticism.
650 0 $aAmerican fiction$xWomen authors$xHistory and criticism.
650 0 $aAfrican American women novelists$y20th century$xAesthetics.
650 0 $aArt and literature$zUnited States.
650 6 $aRoman américain$xAuteurs noirs américains$xHistoire et critique.
650 6 $aRomancières noires américaines$y20e siècle$xEsthétique.
650 6 $aArt et littérature$zÉtats-Unis.
650 7 $aLITERARY CRITICISM$xAmerican$xAfrican American.$2bisacsh
650 7 $aSOCIAL SCIENCE$xGender Studies.$2bisacsh
650 7 $aART$xAmerican$xAfrican American.$2bisacsh
650 7 $aART$xPerformance.$2bisacsh
650 7 $aART$xReference.$2bisacsh
650 7 $aAmerican fiction$xAfrican American authors.$2fast$0(OCoLC)fst00807049
650 7 $aAmerican fiction$xWomen authors.$2fast$0(OCoLC)fst00807099
650 7 $aArt and literature.$2fast$0(OCoLC)fst00815400
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aIdentität$2gnd
650 7 $aKunst$2gnd
650 7 $aKörper$gMotiv$2gnd
650 7 $aKünstlerin$2gnd
650 7 $aLiteratur$2gnd
650 7 $aSchriftstellerin$2gnd
650 7 $aSchwarze Frau$gMotiv$2gnd
650 7 $aSchwarze Frau$2gnd
650 7 $aLiteratur.$2idszbz
650 7 $aAmerikanisches Englisch.$2idszbz
650 7 $aMotiv.$2idszbz
650 7 $aSchwarze.$2idszbz
650 7 $aFrau.$2idszbz
650 7 $aIdentität.$2idszbz
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aBrown, Caroline A., 1967-$tBlack female body in American literature and art.$dNew York : Routledge, 2012$z9780415895507$w(DLC) 2011028295$w(OCoLC)698324479
830 0 $aRoutledge interdisciplinary perspectives on literature ;$v5.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15084103$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS