| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:94503466:4062 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:94503466:4062?format=raw |
LEADER: 04062cam a2200601 a 4500
001 15084249
005 20220604232447.0
006 m o d
007 cr cnu---unuuu
008 120409s2012 onc ob 001 0deng d
035 $a(OCoLC)ocn784938623
035 $a(NNC)15084249
040 $aN$T$beng$epn$cN$T$dOCLCQ$dDKDLA$dOCLCQ$dOCLCF$dOCLCO$dOCLCQ$dOCLCO$dOCL$dOCLCQ$dAGLDB$dYDX$dM8D$dEBLCP$dOCLCQ$dOCLCO$dUUM$dOCLCA$dVTS$dWYU$dTKN$dSTF$dCOO$dAU@$dUKAHL$dUX1$dOCLCQ$dAJS$dOCLCQ$dOCLCO
020 $a9781409442363$q(electronic bk.)
020 $a1409442365$q(electronic bk.)
020 $z9780754668893
020 $z0754668894
035 $a(OCoLC)784938623
050 4 $aML410.M9$bF7263 2012eb
072 7 $aMUS$x028000$2bisacsh
072 7 $aMUS$x037070$2bisacsh
082 04 $a782.1092$223
084 $a9,2$2ssgn
049 $aZCUA
100 1 $aFord, Charles$q(Charles C.)
245 10 $aMusic, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte /$cCharles Ford.
260 $aBurlington :$bAshgate,$c2012.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aOvertures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas.
588 0 $aPrint version record.
520 $aMusic, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tNozze di Figaro.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tDon Giovanni.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tCosì fan tutte.
630 07 $aCosì fan tutte (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01359362
630 07 $aDon Giovanni (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01356608
630 07 $aNozze di Figaro (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01357624
650 0 $aSex in music.
650 0 $aOpera$y18th century.
650 6 $aSexualité dans la musique.
650 7 $aMUSIC$xGenres & Styles$xOpera.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xOpera & Classical Scores.$2bisacsh
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
650 7 $aSex in music.$2fast$0(OCoLC)fst01114481
648 7 $a1700-1799$2fast
655 4 $aElectronic books.
776 08 $iPrint version:$aFord, Charles (Charles C.).$tMusic, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte.$dBurlington : Ashgate, 2012$z9780754668893$w(DLC) 2011035398$w(OCoLC)748941756
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15084249$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS