| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:97657332:5120 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:97657332:5120?format=raw |
LEADER: 05120cam a2200853 a 4500
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245 00 $aMusic, sound and filmmakers :$bsonic style in cinema /$cedited by James Wierzbicki.
260 $aNew York, NY ;$aAbingdon, Oxon :$bRoutledge,$c2012.
300 $a1 online resource
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490 1 $aRoutledge music and screen media series
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : sonic style in cinema / James Wierzbicki -- Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- Kieslowski's musique concre??te / Joseph G. Kickasola -- Gus Van Sant's soundwalks and audio-visual musique concre??te / Danijela Kulezic-Wilson -- Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- Dream timbre : notes on Lynchian sound design / Isabella van Elferen.
588 0 $aPrint version record.
520 $aMusic, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film musi.
546 $aEnglish.
650 0 $aMotion picture music$xHistory and criticism.
650 0 $aSound in motion pictures.
650 0 $aMotion picture producers and directors.
650 6 $aFilm, Musique de$xHistoire et critique.
650 6 $aCinéma$xSon.
650 6 $aProducteurs et réalisateurs de cinéma.
650 7 $afilmmakers.$2aat
650 7 $aMUSIC$xPrinted Music$xMusicals, Film & TV.$2bisacsh
650 7 $aMotion picture music.$2fast$0(OCoLC)fst01027201
650 7 $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225
650 7 $aSound in motion pictures.$2fast$0(OCoLC)fst01904742
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aWierzbicki, James Eugene,$eeditor.
776 08 $iPrint version:$tMusic, sound and filmmakers.$dNew York, NY ; Abingdon, Oxon : Routledge, 2012$z9780415898935$w(DLC) 2011042816$w(OCoLC)724641133
830 0 $aRoutledge music and screen media series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15085058$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS