MARC Record from marc_columbia

LEADER: 05766cam a2200733 i 4500
001 15528575
005 20220703234546.0
006 m o d
007 cr |||||||||||
008 201121t20212021nyua ob 001 0 eng
010 $a 2020052442
035 $a(OCoLC)on1226075829
035 $a(NNC)15528575
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dYDX$dUKAHL$dYDX$dTYFRS$dOCLCQ$dN$T$dOCLCO
020 $a9781003048671$q(electronic book)
020 $a1003048676$q(electronic book)
020 $a9781000386455$q(electronic book)
020 $a1000386457$q(electronic book)
020 $a1000386600$q(electronic book)
020 $a9781000386608$q(electronic bk.)
020 $z9780367497682$q(hardcover)
020 $z9780367500726$q(paperback)
035 $a(OCoLC)1226075829
037 $a9781003048671$bTaylor & Francis
042 $apcc
050 04 $aPN1995.9.A26$bS76 2021
072 7 $aPER$x001000$2bisacsh
072 7 $aPER$x004000$2bisacsh
072 7 $aPER$x004020$2bisacsh
072 7 $aANC$2bicssc
082 00 $a791.4302/8$223
049 $aZCUA
100 1 $aStone, Peter Allen,$eauthor.
245 10 $aActing for the camera :$bback to one /$cPeter Allen Stone.
264 1 $aNew York, NY :$bRoutledge,$c2021.
264 4 $c©2021
300 $a1 online resource (xiii, 188 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"A Focal Press Book"--Cover
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Back to one -- Preparation -- Breaking down the script : the value of beats -- Given circumstances & relationships : bring life on -- Objective : make it about the other character -- Actions : river vs pond acting -- Obstacles : character problems are actor gifts -- Character notebook : mapping out the role -- Acting for the camera -- Frame : play the piece of pie -- Size : scaling the performance -- Action : what do I do now? -- Art of the reaction : help the editor make you look great -- Hitting the mark : skill vs talent -- Physical continuity : acting with props -- Voice : play the distance -- Camera time : work with the camera -- The final beat : focal shifts and cutting points -- Auditioning -- Learn from the pros -- Ten audition tips to help you win -- Industry interviews -- Today's actor : production skills -- Studio space : find it now -- Lights, camera, & sound : building an affordable studio -- Filming : slating, intimacy, props, the reader -- Editing & submitting : it's an audition not a movie -- Final thoughts.
520 $a"Acting for the Camera: Back to One is a "how to" book with simple, practical steps to achieve a professional performance on camera. The book focuses on four distinct areas: how to prepare the character and bring them to life, how to execute the technical responsibilities that will assist the editor in creating the on-camera performance in post-production, tips from industry professionals, and how to create effective self-tape auditions. Part One: The Character's World is packed with tools to analyze the script and fully prepare the character before arriving on set. Part Two: The Actor's World focuses on developing technical acting skills for the camera that assist the pre- and post-production teams to create a dynamic on-screen performance. In Part Three: The Professional World industry professionals provide tips from inside the Film/TV audition room and how to navigate a career in the acting business. The final section, Part Four: Self-Tape Like a Pro, outlines how to build a self-tape studio in the privacy of your own home and submit high-quality self-tape auditions that will help you stand out from the competition. Written for students enrolled in Acting for the Camera courses, Acting for the Camera: Back to One explores techniques that can be practiced and mastered by actors of all levels, from the moment they audition for the part through to when they hear that director call "cut!""--$cProvided by publisher
588 0 $aOnline resource; title from digital title page (viewed on June 01, 2021).
545 0 $aPeter Allen Stone is the Head of Acting at the University of Kentucky Department of Theatre and Dance and the former Chair of Acting for Film at the New York Film Academy in New York City. He has worked as an actor in film, television, and theatre, and he assisted as an audition reader for major feature films at Mackey Sandrich Casting in New York City. He has trained students who have appeared on Broadway, Off-Broadway, in Hollywood and Bollywood films, and on many popular television shows.
650 0 $aMotion picture acting.
650 0 $aTelevision acting.
650 0 $aActing$xAuditions.
650 0 $aActing$xVocational guidance.
650 6 $aArt de l'acteur au cinéma.
650 6 $aArt dramatique$xAuditions.
650 6 $aArt dramatique$xOrientation professionnelle.
650 7 $aPERFORMING ARTS$xActing & Auditioning.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xGuides & Reviews.$2bisacsh
650 7 $aActing$xAuditions.$2fast$0(OCoLC)fst00796147
650 7 $aActing$xVocational guidance.$2fast$0(OCoLC)fst00796170
650 7 $aMotion picture acting.$2fast$0(OCoLC)fst01027093
650 7 $aTelevision acting.$2fast$0(OCoLC)fst01146639
655 4 $aElectronic books.
776 08 $iPrint version:$aStone, Peter Allen.$tActing for the camera.$dNew York, NY : Routledge, 2021$z9780367497682$w(DLC) 2020052441
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15528575$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS