MARC Record from marc_columbia

LEADER: 04082cam a2200709 i 4500
001 15528634
005 20220604234949.0
006 m o d
007 cr cnu---unuuu
008 201221t20212021nyu ob 001 0 eng
010 $a 2020057312
035 $a(OCoLC)on1228910715
035 $a(NNC)15528634
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dUKAHL$dTYFRS$dYDX$dN$T$dOCLCO
020 $a9781003120506$qelectronic book
020 $a1003120504$qelectronic book
020 $a9781000400564$qelectronic book
020 $a1000400565$qelectronic book
020 $a1000400530$qelectronic book
020 $a9781000400533$q(electronic bk.)
020 $z9780367637422$qhardcover
035 $a(OCoLC)1228910715
037 $a9781003120506$bTaylor & Francis
042 $apcc
043 $ae-it---
050 00 $aND617$b.W38 2021
072 7 $aART$x015030$2bisacsh
072 7 $aAC$2bicssc
082 00 $a759.509/034$223
049 $aZCUA
100 1 $aWatts, Laura L.,$eauthor.
245 10 $aItalian painting in the age of unification /$cLaura L. Watts.
264 1 $aNew York, NY :$bRoutledge,$c2021.
264 4 $c©2021
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aOttocento painting and the gap in nineteenth-century art historical discourse -- Three portraits/three cities -- Tommaso Minardi and the Roman destiny -- Fancesco Hayez and the rise of history painting during the Risorgimento -- Gioacchino Toma, Neapolitan realism and the aftermath of Unification -- The regional/national model.
520 $a"Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists-Tommaso Minardi, Francesco Hayez and Gioacchino Toma-from three distinct regions in Italy prior to, during and directly following political unification in 1861. Each artist, working in Rome, Milan and Naples respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies"--$cProvided by publisher.
545 0 $aLaura L. Watts is Associate Professor of Art History at Daemen College, Amherst, New York.
588 $aDescription based on online resource; title from digital title page (viewed on August 10, 2021).
600 10 $aMinardi, Tommaso,$d1787-1871$xCriticism and interpretation.
600 10 $aHayez, Francesco,$d1791-1882$xCriticism and interpretation.
600 10 $aToma, Gioacchino,$d1836-1891$xCriticism and interpretation.
600 17 $aHayez, Francesco,$d1791-1882.$2fast$0(OCoLC)fst00115314
600 17 $aMinardi, Tommaso,$d1787-1871.$2fast$0(OCoLC)fst00108318
600 17 $aToma, Gioacchino,$d1836-1891.$2fast$0(OCoLC)fst00355630
650 0 $aPainting, Italian$y19th century.
650 0 $aRegionalism in art.
650 6 $aPeinture italienne$y19e siècle.
650 6 $aRégionalisme dans l'art.
650 7 $aART / European$2bisacsh
650 7 $aPainting, Italian.$2fast$0(OCoLC)fst01050910
650 7 $aRegionalism in art.$2fast$0(OCoLC)fst01093230
648 7 $a1800-1899$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aWatts, Laura L..$tItalian painting in the age of unification$dNew York : Routledge, 2021.$z9780367637422$w(DLC) 2020057311
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15528634$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS