MARC Record from marc_columbia

LEADER: 04437cam a2200517 i 4500
001 15759083
005 20211028110914.0
008 201218t20212021enkag b 001 0 eng d
035 $a(OCoLC)on1227272651
040 $aYDX$beng$erda$cYDX$dERASA$dBDX$dUKMGB$dOCLCO$dOCLCF$dYDXIT$dPAU$dOCLCO$dWTU$dOCLCO$dOCL$dCBY$dUIU
020 $a019726719X$qhardback
020 $a9780197267196$qhardback
035 $a(OCoLC)1227272651
050 4 $aAS122$b.L5 236
050 4 $aP121-143.3$b.S66 2021
050 4 $aML2800$b.S64 2021
082 04 $a410$223
049 $aZCUA
245 00 $aSong beyond the nation :$btranslation, transnationalism, performance /$cedited by Philip Ross Bullock and Laura Tunbridge.
250 $aFirst edition.
264 1 $aOxford :$bOxford University Press,$c2021.
264 1 $c©2021
300 $axiv, 301 pages :$billustrations, music ;$c24 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
336 $anotated music$bntm$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aProceedings of the British Academy,$x0068-1202 ;$vvolume 236
504 $aIncludes bibliographical references and index.
520 8 $aWithin classical music, much writing on the Western song tradition since 1800 has assumed a direct link between musical cultures and national literatures, and song has typically been interpreted as one of the means by which constructions of nationalism and nationhood have been pursued in the cultural sphere. Yet song can also be a mobile and cosmopolitan genre and form of cultural practice, able--through performance, publication, and translation - to cross boundaries between cultures and languages. This volume brings together musicologists, literary scholars, linguists, and cultural historians to examine the ways in which song creation, practice, and interpretation has been defined by, and in turn defines, conceptions of nationalism and the transnational. It focuses on four key poets--the Persian Hafiz, German Heine, American Whitman, and French Verlaine--and examines how their poems have been 'translated' into song, and how music can challenge the seemingly organic relationship between language and nation.
505 00 $gIntroduction:$t"L'invitation au voyage" /$rPhilip Ross Bullock and Laura Tunbridge --$gPart I, Hafiz.$tHafiz between nations : song setting by Daumer/Brahms and Peacock/Beamish /$rNatasha Loges.$tSzymanowski, a Hafiz "Grablied", and the "translation" of Nietzsche /$rStephen Downes.$tThe German roots of Russian Orientalism : Hafiz's poetry in early-20th-century Russian song /$rPhilip Ross Bullock --$gPart II, Heine.$tTraces of tourism and transnationalism in Liszt's Heine settings /$rSuzannah Clark.$tPerformance matters in Heine : the case of Pauline Viardot's "Das ist ein schlechtes Wetter" /$rBenjamin Binder.$t"Once again ... speaking of" : Heine, in song /$rLaura Tunbridge --$gPart III, Verlaine.$tWhy song in Verlaine's verse is always already beyond the nation /$rPeter Dayan.$tFrench impressions : the transnational afterlives of Verlaine's "La lune blanche" in song /$rDavid Evans.$rPaul Verlaine in parallel : Loeffler, Fauré, Debussy /$rCarlo Caballero.$tSong just beyond the nation, or Debussy via Verlaine /$rHelen Abbott --$tPart IV, Whitman.$tJohanna Müller-Hermann's Lied der Erinnerung : Austria, America, and beyond /$rJennifer Ronyak.$tThe émigré Walt Whitman : songs of mourning, 1943-1948 /$tLawrence Kramer.$tA song, the sea, and a listening boy : Whitman, Swinburne, Delius /$rElizabeth Helsinger.$tWhitman and Stevenson : singing the nation from Scotland to Sāmoa via Ohio and Hawaiʻi /$rEmma Sutton --$gAfterword /$rTerence Cave.
540 $aCurrent Copyright Fee: GBP5.00$c0.$5Uk
650 0 $aSongs$xHistory and criticism.
650 0 $aMusic and transnationalism.
650 0 $aNationalism in music.
650 0 $aPoetry.
650 7 $aMusic and transnationalism.$2fast$0(OCoLC)fst01748148
650 7 $aNationalism in music.$2fast$0(OCoLC)fst01033902
650 7 $aPoetry.$2fast$0(OCoLC)fst01067691
650 7 $aSongs.$2fast$0(OCoLC)fst01126120
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBullock, Philip Ross,$eeditor.
700 1 $aTunbridge, Laura,$d1974-$eeditor.
830 0 $aProceedings of the British Academy ;$v236.
852 00 $bglx$hQ41$i.B86 v.236