MARC Record from marc_columbia

LEADER: 05862cam a2200493Ii 4500
001 15764175
005 20211104150422.0
008 210529t20212021gw ach bc 000 0deng d
035 $a(OCoLC)on1253283881
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dOCLCF$dSTF$dNJR$dOCLCO
020 $a9783956795084$q(hardbound)
020 $a3956795083
024 3 $a9783956795084
035 $a(OCoLC)1253283881
050 4 $aN6488.G3$bB4772 2021
072 7 $aN$2lcco
245 00 $aParapolitics :$bcultural freedom and the Cold War /$cedited by Anselm Franke [and three others].
246 30 $aCultural freedom and the Cold War
264 1 $aBerlin :$bHaus der Kulturen der Welt ;$aBerlin :$bSternberg Press,$c[2021]
264 4 $c©2021
300 $a615 pages :$billustrations (chiefly color), facsimiles, portraits ;$c30 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 600-603).
585 $aOn the occasion of an exhibition held at Haus der Kulturen der Welt (HKW), Berlin, November 3, 2017 - January 8, 2018.
505 00 $gForeword /$rBernd Scherer --$gIntroduction /$rAnselm Franke, Nida Ghouse, Paz Guevara, Antonia Majaca --$tA Chronological List of the Activities of the CCFand IACF --$tA World Frozen in Art /$rAnselm Franke --$tGentlemen & Arseholes /$rLene Berg --$tCharged Objects of Former Reverence /$rNida Ghouse --$tAbstraction /$rIman Issa --$tTwo Concepts of White Sovereignty /$rBarnor Hesse --$tRound Heaven, Square Earth /$rMichael Baers --$tEdward Shils, "The End of Ideology?, " Encounter, vol. 4, no. 2 (1955), pp. 52-58 --$tOdysseus of the Nimble Wits : The Spirits of Totalitarianism and the Cultural Cold War's Entscheidungsproblem /$rAntonia Majaca --$tM. R. Masani, "The Milan Conference -A Report, " Freedom First, no. 42 (November 1955), pp. 5-7 --$tDer Monat /$rMichael Hochgeschwender --$tQuest /$rChinmay Sharma --$tJ. S. Saxena, "The Coffee-Brown Boy Looks at the Black Boy, " Quest, no. 65 (April/June 1970), pp. 60-67 --$tSasangge and the Paradox of the Freedom Discourse in the Korean Peninsula /$rHyunjin Kim --$tNeutrality, a Battlefield of Minds : The Congress for Cultural Freedom in Scandinavia /$rRhea Dall --$tDwight Macdonald, "America! America!, " Dissent (1958), pp. 313-23 --$tThe Power of Interpretation : How MoMA Explained Guernica to Its Audience /$rAndrea Giunta --$tMuch Ado about a Drawing /$rLene Berg --$tThe (Re)Invention of Postwar Modernism /$rPorter McCray --$tYugoslav Fanonism and a Failed Exit from the (Cultural) Cold War /$rIvana Bago --$tExhibition as Medium for Geopolitical Operations : Digging Up the Exhibitions of the Congress for Cultural Freedom /$rPaz Guevara --$tFour Saints in Three Acts : A Case Study /$rJenifer Evans --$tThe Living Arts of Ancient TV : India and the Idiot Box, 1955 /$rAlexander Keefe --$tFSMR : New Temples of New Sound /$rYashas Shetty --$tClement Greenberg in India : A Recursive History /$rKarin Zitzewitz --$tThe Man in the Background /$rLene Berg --$tThe Symbolic Form of the File : An Intense Undercover Activity Intended to Change the Course of History /$rVoluspa Jarpa --$tNeoliberal Economics and the Double Disfigurement of the Third World /$rQuinn Slobodian --$tThe Sound of The Closing Door Erhard Schüttpelz talks to Nida Ghouse --$tPurity of Art and the Racial Politics of Modernism /$rChristian Kravagna --$tParallel Lines and Crosshatchings : The Souza-esque Art of Delineating Duplicity /$rSavita Apte --$tThe Story of Hiwar : Cold War Imbroglio and the Struggle for Autonomy /$rRasha Salti --$tThe Transitional Coalition : Reciprocal Readings of Transition and the Congress for Cultural Freedom between 1962 and 1967 /$rKodwo Eshun --$tA Refusal to Be Transcribed : "Africa will be free before we have even managed to get ourselves a lousy cup of coffee" /$rStacy Hardy --$tWole Soyinka, "Telephone Conversation, " The New African, August 1962, p. 10 --$tLetter to the Editor : How to Address the Scope of Liberal Positions with and within the South African Magazines? /$rAnnett Busch --$tAyi Kwei Armah, "Contact, " The New African, vol. 4, no. 10 (1965), pp. 244-48 --$tUntogether Together : Bessie Head's Writing in The New African /$rGobi Ngcobo --$tWhat Would Tutuola Do? /$rEmmanuel Iduma --$tUlli Beier, Cultural Brokerage, and Cold War Parapolitics /$rSylvester Okwunodu Ogbechie --$tEzekiel Mphahlele, "Mbari-First Anniversary, " The New African, vol. 1, no. 8 (1962), p. 7 --$tUlli Beier, "Ibrahim Salahi, " Black Orpheus, no. 10 (n. d.), pp. 48-50 --$tSignifying Deceit : Richard Wright's Anti-Colonial-Anti-Capitalist-Anti-Communism /$rKodwo Eshun --$tJames Baldwin, "Princes and Powers, " Encounter, vol. 8, no. 1 (1957), pp. 52-60 --$gAppendix --$gReferences --$gArtworks in the Exhibition --$gImage Credits --$gAcknowledgments --$gColophon.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aCold War in art$vExhibitions.
650 0 $aCultural diplomacy$xHistory$y20th century$vExhibitions.
610 20 $aCongress for Cultural Freedom$vExhibitions.
650 0 $aArt$xPolitical aspects$xHistory$y20th century$vExhibitions.
610 27 $aCongress for Cultural Freedom.$2fast$0(OCoLC)fst00514438
650 7 $aArt and war.$2fast$0(OCoLC)fst00815446
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aCultural diplomacy.$2fast$0(OCoLC)fst01893393
647 7 $aCold War$d(1945-1989)$2fast$0(OCoLC)fst01754978
648 7 $a1900-1999.$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aFranke, Anselm,$eeditor.
710 2 $aHaus der Kulturen der Welt,$ehost institution,$eissuing body.
852 00 $boff,fax$hN6488.G3$iB4772 2021g