| Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:123718976:2881 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:123718976:2881?format=raw |
LEADER: 02881cam a2200421 i 4500
001 15766245
005 20211216221046.0
008 211025s2020 bo a bc 000 0 spa d
035 $a(OCoLC)1285862014
035 $a(OCoLC)on1285862014
035 $a(NNC)15766245
040 $aH7K$beng$erda$cH7K$dNNC
020 $a9789997428622
020 $a9997428625
050 4 $aND343$b.D46 2020
049 $aZCUA
245 00 $aDios y la maqvina :$bsingularidad y serialidad en la pintura colonial andina entre los siglos XVI y XVIII /$c[Lucía Querejazu Escobari, edición ; curaduria de.
246 33 $aDios y la máquina
246 30 $aSingularidad y serialidad en la pintura colonial andina entre los siglos XVI y XVIII
250 $aPrimera edición.
264 1 $aLa Paz, Bolivia :$bMuseo Nacional de Arte,$c2020.
300 $a280 pages :$billustrations (chiefly color) ;$c30 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIssued in slipcase.
500 $aPrinted on the occasion of the virtual exhibition held initially in 2020 at the Museo Nacional de Arte in La Paz, Bolivia.
504 $aIncludes bibliographical references.
505 8 $aPresentación -- Texto curatorial -- Textos especializados -- Circulación y producción de pintura entre Cusco y La Paz (siglos XVI-XVIII) / Lucia Querejazu Escobari -- La devoción a las animas del purgatorio: imposición y adopción de un programa ideológico e iconográfico / Pablo Quisbert Condori -- Los caminos del cobre en la rugosidad andina / Luciana Molina Barragán -- Des-aprender el arte / José Franco Arispe Rodríguez -- La percepción y la maquina / Max Jorge Hinderer Cruz -- Las obras.
520 $aAnnual exhibition of the Museo Nacional de Arte (MNA), the repository dependent on the Fundación Cultural del Banco Central de Bolivia (FCBCB), on colonial art of the 16th and 18nth centuries organized by the curators Max Hinderer Cruz (former director of the museum) and the current director Lucía Querejazu, who in 2020 worked as curator of the space. The exhibition included more than 60 works from the viceregal art collection corresponding to the 16th, 17th and 18th centuries, and raises a critical look at the meaning of art as a tool in the processes of evangelization of the colonial period and that today are part of the artistic heritage of Bolivia.
546 $aIn Spanish.
610 20 $aMuseo Nacional de Arte (Bolivia)$xArt collection$vExhibitions.
650 0 $aChristian art and symbolism$zBolivia$vExhibitions.
650 0 $aPainting, Bolivian$vExhibitions.
650 0 $aPainting, Colonial$zBolivia$vExhibitions.
710 2 $aMuseo Nacional de Arte (Bolivia),$ehost institution,$eissuing body.
852 00 $boff,fax$hND343$i.D46 2020g