MARC Record from marc_columbia

LEADER: 03954cam a2200493 i 4500
001 15811714
005 20211230220552.0
008 190526s2021 nyua c 000 0deng d
035 $a(OCoLC)1102475727
035 $a(OCoLC)on1102475727
035 $a(NNC)15811714
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dOCLCQ$dCPL$dOCLCO$dOCLCF$dMNN$dFNE
020 $a0947830731
020 $a9780947830731
043 $anwcu---
050 4 $aNB305.H47$bA4 2021
082 04 $a730.92
100 1 $aHerrera, Carmen,$d1915-$eartist.
245 10 $aCarmen Herrera estructuras.
246 30 $aEstructuras
264 1 $aNew York, NY :$bLisson Gallery,$c2021.
264 2 $aNew York, NY :$bDistributed in the United States and Canada by Artbook/D.A.P.,$c2021.
300 $a131 pages :$bcolor illustrations ;$c31 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with the exhibitions "Carmen Herrera: estructuras", Lisson Gallery, New York, September 14-October 27, 2018, and "Carmen Herrera: estructuras monumentales", City Hall Park, New York, presented by Public Art Fund, July 11-November 8, 2019"--Colophon.
505 0 $aThrough the lines : the sculptural work of Carmen Herrera / Dana Miller -- Estructuras -- Estructuras, Lisson, 09/14/2018-10/27/2018 -- Estructuras monumentales -- Estructuras monumentales, Public Art Fund, 07/11/2019-11/08/2019 -- Carmen Herrera, in "Artists in exile : Carmen Herrera".
520 $a"This comprehensive publication chronicles a major body of work by New York-based Cuban-American artist Carmen Herrera. Featuring an essay by Dana Miller, art historian and curator of the 2016-2017 travelling retrospective on Herrera's work, Lines of Sight, as well as rare archival material, sketches and never before published drawing -- it marks the first time the Estructuras have been explored in depth. Based on paintings really "crying out to become sculpture" the Estructuras represent a rare break in Herrera's insistent planarity and the two dimensionality of her paintings. The artist began the sketches and preparations for her Estructuras (Structures) in the late 1960s, around the same time that key Minimalism sculptors including Carl Andre, Donald Judd and Barnett Newman were early in their exploration of the medium. Of the shift Herrera has noted: "It became clear to me that the linear elements in my work required a hard surface to integrate structurally the "hard edges"." This fully-illustraged pubication includes a comprehensive section of these forms, including floor and wall-based renditions, as well as reproductions of Herrera's newest exploration of these works on monumental scale. In additon to documentation of the 2018 exhibition of new Estructuras at Lisson Gallery in New York, the book includes installation photography of Estructuras Monumentales, the first major exhibition of outdoor sculptures by Herrera, organised by Public Art Fund and on view at City Hall Park in New York City from July - November 2019. " --$cProvided by publisher.
600 10 $aHerrera, Carmen,$d1915-$vExhibitions.
650 0 $aSculpture, Modern$y20th century$vExhibitions.
650 0 $aSculpture, Cuban$y20th century$vExhibitions.
650 0 $aCuban American artists$y20th century$vExhibitions.
600 17 $aHerrera, Carmen,$d1915-$2fast$0(OCoLC)fst00338951
650 7 $aSculpture, Cuban.$2fast$0(OCoLC)fst01109630
650 7 $aSculpture, Modern.$2fast$0(OCoLC)fst01109788
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aMiller, Dana.$tThrough the lines.
710 2 $aLisson Gallery (New York, N.Y.),$ehost institution,$epublisher.
710 2 $aPublic Art Fund (New York, N.Y.),$ehost institution.
852 00 $boff,fax$hNB305.H47$iA4 2021g