MARC Record from marc_columbia

LEADER: 03634cam a22006138i 4500
001 15811742
005 20211230220505.0
008 191007s2019 onca c 000 0 eng
035 $a(OCoLC)1122563592
035 $a(OCoLC)on1122563592
035 $a(NNC)15811742
040 $aNLC$beng$erda$cNLC$dOCLCF$dCNNGC$dOCLCO
015 $a20190202173$2can
020 $a9780771431326$q(softcover)
020 $a0771431325
041 0 $aeng$afre
042 $alac
043 $an-cn---
050 4 $aN6549.F725$bA4 2019
055 0 $aN6549.F725$bA4 2019
082 0 $a709.2$223
084 $acci1icc$2lacc
245 00 $aSkawennati :$bfrom SkyWorld to cyberspace /$ccurated by Matthew Ryan Smith, Ph.D. ; Wahsontiio Cross, Helen Gregory, Maize Longboat, Matthew Ryan Smith.
246 30 $aFrom SkyWorld to cyberspace
264 1 $aLondon, Ontario :$bMcIntosh Gallery,$c2019.
300 $a99 pages :$bcolor illustrations ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aText chiefly in English; some text in French.
500 $aPublished in conjunction with the exhibition Skawennati: From SkyWorld to Cyberspace, curated by Matthew Ryan Smith, and presented at McIntosh Gallery, Western University, from March 21 to April 27, 2019, and University of Waterloo Art Gallery, from September 12 to October 26, 2019.
520 $a"In Skawennati's experience, the setting of the creation story, Sky World, has always been depicted as Terran, pre-contact, Iroquoia, with people living in wooden longhouses, wearing clothing made from animal hides, and using clay pots. Skawennati wants to imagine Sky World as another planet, a sustainable, peaceful, and technically-advanced society. Curated by Matthew Ryan Smith, the exhibition From Sky World to Cyberspace gathers a number of Skawennati's works which, together, trace a line from our place of origin somewhere in the heavens to the virtual realm, one of the newest territories on Earth. This line sometimes curves, sometimes becomes invisible, but along it are Onkwehonwe--Indigenous people--alive and kicking. These works are also a result of Skawennati's continuous investigation of cultural construction, contemporary Indigenous self-representation in cyberspace, and of our growing relationships with the digital world."$cProvided by publisher.
600 10 $aFragnito, Skawennati Tricia$vExhibitions.
650 0 $aComputer art$zCanada$vExhibitions.
650 0 $aNew media art$zCanada$vExhibitions.
650 0 $aMultimedia (Art)$zCanada$vExhibitions.
650 0 $aWomen artists$zCanada$vExhibitions.
650 0 $aArt and the Internet$zCanada$vExhibitions.
650 0 $aArt, Canadian$y20th century$vExhibitions.
650 0 $aArt, Canadian$y21st century$vExhibitions.
650 0 $aMohawk art$y20th century$xThemes, motives$vExhibitions.
650 0 $aMohawk art$y21st century$xThemes, motives$vExhibitions.
600 06 $aSkawennati$vExpositions.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 12 $iContainer of (work):$aFragnito, Skawennati Tricia.$tWorks.$kSelections.
700 1 $aSmith, Matthew Ryan,$d1983-$ecurator,$eauthor.
700 1 $aCross, Wahsontiio,$d1983-$eauthor.
700 1 $aGregory, Helen,$eauthor.
700 1 $aLongboat, Maize,$eauthor.
710 2 $aMcIntosh Art Gallery,$ehost institution,$epublisher.
710 2 $aUniversity of Waterloo.$bArt Gallery,$ehost institution.
852 00 $boff,fax$hN6549.F725$iA4 2019g