MARC Record from marc_columbia

LEADER: 05984cam a2200589Ii 4500
001 15825426
005 20211217150116.0
008 201106t20202020gw abce bc 000 0 eng d
035 $a(OCoLC)on1205589292
040 $aERASA$beng$erda$cERASA$dYDX$dOCLCO$dKUK$dOCLCO$dPMC$dOCLCF$dDLM$dSHH$dOHX$dOKU$dOCLCO$dJPG$dOCLCO$dJPG$dOCLCO$dOCLCA$dFDA$dIXA
019 $a1201658064
020 $a9783775748841$q(paperback)
020 $a3775748849$q(paperback)
035 $a(OCoLC)1205589292$z(OCoLC)1201658064
041 0 $aeng$bger
043 $ae-au---$ae-be---$ae-yu---$af-cg---
050 04 $aN8217.G435$bS76 2020
082 14 $a700.1/03$223
082 14 $a700.411
245 00 $aStories of traumatic pasts :$bcolonialism, antisemitism, and turbo-nationalism /$cedited by Marina Gržinić, Jovita Pristovšek, Sophie Uitz, and Christina Jauernik.
246 30 $aColonialism, antisemitism, and turbo-nationalism
264 1 $aBerlin :$bHatje Cantz,$c[2020]
264 4 $c©2020
300 $a204 pages :$billustrations (chiefly color), maps, plans, portraits ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aText in English; summary in German.
500 $aParticipating artists: Valerie Wolf Gang, Nicolas Pommier, Joëlle Sambi Nzeba, Adela Jušić, Lana Čmajčanin, Bojan Djordjev, Siniša Ilić, Dani Gal, Monique Mbeka Phoba, Anja Salomonowitz, Martin Krenn, Arye Wachsmuth, Elisabeth Bakambamba Tambwe.
504 $aIncludes bibliographical references.
505 00 $gPart 1 --$tMap of the exhibition /$rChristina Jauernik and İklim Doğan --$tStrategies of display /$rMarina Gržinić --$tThe eye /$rElisabeth Bakambamba Tambwe --$tBedtime stories /$rLana Čmajčanin and Adela Jušić --$tTopographies of emancipation and coercion /$rBojan Djordjev and Siniša Ilić --$tFields of neutrality (The last interview with Ludwig Mies van der Rohe) /$rDani Gal --$tÖsterreich ist ein wunderbares Land (Austria is a wonderful country) /$rMartin Krenn --$tA Belgian is also defined by his relation with Congo /$rMonique Mbeka Phoba --$tDas wirst du nie verstehen (You will never understand this) /$rAnja Salomonowitz --$tColoniality/conviviality? /$rJoëlle Sambi Nzeba and Nicolas Pommier --$tDecerocide /$rArye Wachsmuth --$tThe silence of the Balkans /$rValerie Wolf Gang --$tMigration and European politics : are we approaching a new era of irresponsibility? /$rposters and works developed by students of the Academy of Fine Arts Vienna Workshop with Arye Wachsmuth --$gPart 2 --$tConnectivity --$gI --$tGlossary /$rJovita Pristovšek and Sophie Uitz --$gII --$tConnecting territories : Belgium, Austria, former Yugoslavia /$rMarina Gržinić and Jovita Pristovšek --$tDecolonizing Belgium, decolonizing Belgian multiple identities /$rPitcho Womba Konga --$t[exhibitofcrime] /$rArye Wachsmuth and Sophie Lillie --$tCamps, genocide, and ethno-religious cleansing /$rHikmet Karĉić --$gIII --$tThe digital archive : countering the genealogy of amnesia /$rintroduction, Marina Gržinić and Šefik Tatlić --$gPart 3 --$tMovement, futurity --$tCourting madness : reflections on pain, decoloniality, and institutions /$rNomusa Makhubu --$t"We Jews cleaned the streets of Vienna thoroughly, accompanied by many kicks" : the "Anschluss" pogrom in Vienna /$rMichaela Raggam-Blesch --$t"Accumulate capital, make war, accumulate capital, and repeat!" /$rMarija Perković in conversation with Marina Gržinić and Šefik Tatlić --$tThe artist as model : we are the assembly line /$rJoshua Simon --$tMoved by the oceans : the haunting presence of the disappeared /$rClaudia Tazreiter --$tThe visitor : tracking a traumatic past in South Africa /$rClaudia Augustat --$tGeschichten traumatischer Vergangenheiten --$gEinleitung /$rMarina Gržinić, Jovita Pristovšek, Sophie Uitz und Christina Jauernik --$tPräsentationsstrategien /$rMarina Gržinić.
520 $a"Belgian colonialism in the Congo. Antisemitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections"--Publisher's website.
585 $aPublished on the occasion of the exhibition Stories of traumatic pasts : counter-archives for future memories, Weltmuseum Wien, 8 October 2020 - 3 April 2021.
650 0 $aGenocide in art$vExhibitions.
650 0 $aColonies in art$vExhibitions.
650 0 $aNationalism in art$vExhibitions.
650 0 $aAntisemitism in art$vExhibitions.
651 0 $aAustria$xHistory$yAnschluss, 1938$vIn art$vExhibitions.
650 0 $aYugoslav War, 1991-1995$vExhibitions.
651 0 $aBelgium$vIn art$vExhibitions.
651 0 $aCongo (Democratic Republic)$vIn art$vExhibitions.
650 0 $aPain in art$vExhibitions.
650 7 $aPain in art.$2fast$0(OCoLC)fst01050420
655 7 $aPersonal narratives.$2fast$0(OCoLC)fst01423843
655 7 $aPersonal narratives.$2lcgft
700 1 $aGržinić, Marina,$d1958-$eeditor,$eorganizer.
700 1 $aPristovšek, Jovita,$d1982-$eeditor.
700 1 $aUitz, Sophie,$eeditor,$eorganizer.
700 1 $aJauernik, Christina,$eeditor,$eorganizer.
710 2 $aWeltmuseum Wien (Austria),$ehost institution.
852 00 $boff,fax$hN8217.G435$iS76 2020g