Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:158210155:3250 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:158210155:3250?format=raw |
LEADER: 03250cam a2200541Ii 4500
001 15825518
005 20211217150524.0
008 210724t20212021sz ach b 001 0 eng d
035 $a(OCoLC)on1261498255
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dOCLCF
016 7 $a1210283174$2DE-101
020 $a9783039420193$q(v. 1 ;$qpaperback in slipcase)
020 $a3039420194
020 $a9783039420209$q(v. 2 ;$qpaperback in slipcase)
020 $a3039420208
020 $a9783039420216$q(v. 3 ;$qpaperback in slipcase)
020 $a3039420216
020 $a9783858818683$q(3-v. set ;$qpaperback in slipcase)
020 $a3858818682
024 3 $a9783858818683
024 3 $a9783039420193
024 3 $a9783039420209
024 3 $a9783039420216
035 $a(OCoLC)1261498255
041 0 $aeng$ager$afre
043 $ae-sz---
050 4 $aNC998.6.S9$bS95 2021
072 7 $aNC$2lcco
245 00 $aSwiss graphic design histories /$cedited by Davide Fornari [and five others] ; with contributions by Chiara Barbieri [and fifteen others].
264 1 $aZurich :$bScheidegger & Spiess,$c[2021]
264 4 $c©2021
300 $a3 volumes (234, 180, 198 pages) :$billustrations (some color), facsimiles, portraits ;$c24 cm +$e1 supplement (67 pages)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $avolume 1. Visual arguments -- volume 2. Multiple voices -- volume 3. Tempting terms.
520 8 $aSwiss Graphic Design Histories' offers an entirely new redefinition of Switzerland?s graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-known epicenters Basel and Zurich with the Germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s.0In three volumes it features visual artefacts and archival documents, the majority published here for the first time, alongside likewise previously unpublished conversations with designers who have forged developments of the past decades, as well as new essays discussing key terms that refer to various design practices. The complexity of the undertaking is embraced through a system of keywords, thus enabling readers to connect contents within the individual volumes. A fourth volume comprising a glossary, bibliography, and an index of the keywords rounds out this long-awaited new survey of graphic design in multi-lingual Switzerland that sheds new light at networks, practices and media largely ignored so far.
546 $aText in English; includes some original texts in French or German, with parallel English translations.
650 0 $aGraphic arts$zSwitzerland$xHistory$y20th century.
650 7 $aGraphic arts.$2fast$0(OCoLC)fst00946595
651 7 $aSwitzerland.$2fast$0(OCoLC)fst01205401
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aFornari, Davide,$eeditor,$econtributor.
700 1 $aBarbieri, Chiara,$econtributor.
852 01 $boff,fax$hNC998.6.S9$iS95 2021g$zIncludes supplement
866 41 $80$av.1-3