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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:160012782:3001
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:160012782:3001?format=raw

LEADER: 03001cam a2200421Ii 4500
001 15828108
005 20220726113835.0
008 201118t20202020fr a b 001 0 eng d
024 $a99989245574
035 $a(OCoLC)on1222774780
040 $aVVPCS$beng$erda$cVVPCS$dOCLCO$dYDX$dTXI
019 $a1162842876
020 $a9782955948651
020 $a2955948659
035 $a(OCoLC)1222774780$z(OCoLC)1162842876
050 4 $aN6537.S543$bA35 2020
100 1 $aSillman, Amy,$eauthor.
245 10 $aAmy Sillman faux pas :$bselected writings and drawings /$cAmy Sillman ; foreword by Lynne Tillman ; edited by Charlotte Houette, Franc̦ois Lancien-Guilberteau, Benjamin Thorel.
246 30 $aFaux pas : selected writings and drawings
260 $aParis :$bAfter 8 Books,$c[2020]
264 4 $c©2020
300 $a253 pages :$billustrations ;$c19 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index of drawings.
504 $aIncludes bibliographical references.
505 00 $tLines, gaps, shapes, strokes, jokes, colors, holes... /$rLynne Tillman --$tHaving a voice: a conversation with Amy Sillman --$tFurther notes on shapes --$tMeaning of symbols --$tMore meaning of my symbols (part 2) --$tUnpresidented times --$tDrawings for the project, DYKWTCA (Do you know where the children are?) --$tAbEx and disco balls: in defense of abstract expressionism II --$tNotes on the diagram --$tSeating charts drawings --$tShit happens: awkwardness --$tRejective verse --$tBreakup letter --$tTrain of thought --$tA few remarks on Rachel Harrison's use of color --$tSome thoughts on John Chamberlain --$tWhy Amelie von Wulffen is funny --$tDear Maria Lassnig --$tThe writings of Carroll Dunham --$tLaura Owens --$tDelacroix: the sullied enlightenment of the body --$tPhilip Guston: from garbage cans to God --$tNine innings: note of a color commentator : on nine works by Louise Fishman.
520 $aA key figure in the New York art scene, Amy Sillman is renowned for her singular approach to painting and drawing. Her writings extend a practice that challenges traditions and theoretical frameworks with criticality and humor, and advocates subjectivity: she reevaluates Abstract Expressionism with a queer eye, explores the meaning of color and shape, and discusses in depth the work of other artists - from Delacroix to Maria Lassing to Laura Owens. In Faux Pas, a collection of her most recent essays, alongside her cartoons and original drawings, art - as personal as it is political - is a practice that responds to today's struggles.
600 10 $aSillman, Amy.
650 0 $aArt, Modern$y20th century.
650 0 $aArt, Modern$y21st century.
650 0 $aArtists' writings.
700 1 $aTillman, Lynne.
700 1 $aHouette, Charlotte.$eeditor
700 1 $aLancien-Guilberteau, Franc̦ois.$eeditor
700 1 $aThorel, Benjamin .$eeditor
852 00 $boff,fax$hN6537.S543$iA35 2020g