MARC Record from marc_columbia

LEADER: 04529cam a2200397 i 4500
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024 $a99989245577
035 $a(OCoLC)on1241492501
040 $aFNE$beng$erda$cFNE$dFNE$dPAU$dOCLCF$dMYG$dCLART$dIUL
019 $a1235416991$a1241184362
020 $a9781734489781
020 $a1734489782
035 $a(OCoLC)1241492501$z(OCoLC)1235416991$z(OCoLC)1241184362
041 0 $aspa$aeng
043 $an-us---
050 4 $aPS3607.R4445$bC34 2020
100 1 $aGreen, Renée,$eauthor.
245 10 $aCamino Road /$cRenée Green
264 1 $aBrooklyn :$bPrimary Information,$c[2020]
264 4 $c©2020
300 $a110, 10 unnumbered pages of plates :$billustrations ;$c18 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aFirst published: Brooklyn NY : Free Agent Media, 1994.
500 $a"First published in 1994, Camino Road is artist Renée Green's debut novel--a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn's journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Anna Kavan and Cortázar; she watches Fellini; she dreams about the Mediterranean Sea. Much like Green's multimedia installations encompassing the sonic, spatial, and visual, Camino Road is richly layered--part intellectual genealogy, part fictional personal memory, and part cultural criticism. Green has described the book as a "self-conscious homage to or parody of the 'road novel,' 'bohemia,' and artist-rebels." "I'd been thinking about the beat generation, figures like Jack Kerouac, Burroughs, etc.--the mythic construction of the artist personality as rebel and how females, and myself in particular, entered into that," she said. "These 'beat' sources seemed to form a typical American introduction to the idea of bohemia and of being an artist."Originally created as part of Green's contribution for the group exhibition "Cocido y crudo/The Cooked and the Raw" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the text is written in both English and Spanish, and accompanied by an appendix of photographs and ephemera tracing Madrid's La Movida, a Spanish countercultural moment from the 1980s. The book was published through Green's production company, Free Agent Media (FAM), which since 1994 has been circulating and exhibiting media, printed matter, and time-based projects. A unique treatise on the circuits of exchange in gender, politics, and art, Camino Road can also be read as a variation on the classic Bildungsroman genre. "I don't feel developed in any area," thinks Lyn at one point. "It's very difficult being young and incomplete." Importantly, she also muses, "I want to be swallowed by another language."Renée Green (b. 1959) is an artist, filmmaker, and writer. Via films, essays and writings, installations, digital media, architecture, sound-related works, film series and events, her work investigates historical circuits of relation and exchange, the gaps and shifts in what survives in public and private memory, both remembered and invented. Her exhibitions, videos, and films have been seen throughout the world in museums, biennales, and festivals. Major surveys of her work have been staged at the Musée Cantonal des Beaux-Arts, Lausanne, Switzerland, and the Yerba Buena Center for the Arts, San Francisco, and her writing has been published in journals including October, Frieze, Spex, Sarai Reader, and Collapse. A collection of her writings from 1981 to 2010, Other Planes of There: Selected Writings, was published by Duke University Press in 2014. Green is also a Professor at MIT's Program in Art, Culture, and Technology, School of Architecture and Planning" --Publisher's website.
546 $aSpanish (pages 5-60) and English (pages 61-110)
600 10 $aGreen, Renée$vFiction.
600 17 $aGreen, Renée.$2fast$0(OCoLC)fst00330928
650 0 $aAutobiographical fiction.
650 7 $aAutobiographical fiction.$2fast$0(OCoLC)fst00822535
655 7 $aFiction.$2fast$0(OCoLC)fst01423787
852 00 $boff,fax$hPS3607.R4445$iC34 2020g