MARC Record from marc_columbia

LEADER: 02209cam a2200385 i 4500
001 15547827
005 20210805220248.0
008 200611t20202020nyua cb 000 0 eng d
035 $a(OCoLC)1157340851
035 $a(OCoLC)on1157340851
035 $a(NNC)15547827
040 $aVVPCS$beng$erda$cVVPCS$dOCLCF$dYDXIT$dGZN$dCUV
020 $a9781644230299$qhardcover
020 $a1644230291$qhardcover
050 4 $aND497.W95$bA4 2020
082 04 $a759.2$223
100 1 $aWylie, Rose,$d1934-$eartist.
245 10 $aRose Wylie :$bpainting a noun... /$c[text by Michael Glover].
246 30 $aPainting a noun
264 1 $aNew York, NY :$bDavid Zwirner Books,$c[2020]
264 4 $c©2020
300 $a91 pages :$bcolor illustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held at David Zwirner, Hong Kong, January 10-February 22, 2020.
520 $aCelebrated British painter Rose Wylie-whose works are at once tactile, cerebral, and humorous-often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time. Wylie's source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career.
504 $aIncludes bibliographical references.
600 10 $aWylie, Rose,$d1934-$vExhibitions.
600 17 $aWylie, Rose,$d1934-$2fast$0(OCoLC)fst00466269
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aGlover, Michael,$d1949-$ewriter of additional commentary.
710 2 $aDavid Zwirner (Gallery)
852 00 $boff,fax$hND497.W95$iA4 2020g