MARC Record from marc_columbia

LEADER: 03580cam a2200493Ii 4500
001 15547844
005 20210805220347.0
008 210512t20202020ohua b 001 0 eng d
035 $a(OCoLC)1154814715
035 $a(OCoLC)on1154814715
035 $a(NNC)15547844
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dOCLCF$dERASA$dRTM$dYDX$dOSU$dOCLCO$dYUS$dPUL$dNZAUC$dOCLCO$dGZM
020 $a9781911282648$q(hardcover edition)
020 $a1911282646$q(hardcover edition)
020 $a9780931537035$q(softcover edition)
020 $a0931537037$q(softcover edition)
024 8 $a40030249503
037 $aW026909
042 $apcc
050 4 $aND237.D85$bF73 2020
082 00 $a759.13$223
245 00 $aFrank Duveneck :$bAmerican master /$cedited by Julie Aronson ; introduction by Barbara Dayer Gallati ; contributions by Julie Aronson, André Dombrowski, Sarah Burns, Colm Toíbín, Kristin L. Spangenberg, and Elizabeth A. Simmons.
264 1 $aCincinnati :$bCincinnati Art Museum, in association with D Giles Limited,$c2020.
264 4 $c©2020
300 $a280 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Duveneck Reconsidered / Barbara Dayer Gallati -- Tale of two cities: Cincinnati, Boston, and Duveneck's reputation / Julie Aronson -- "Everything Is moist": Frank Duveneck and Munich's painterly Realism / André Dombrowski -- A dangerous class of painting: ugliness, masculinity, and the Munich Style in Gilded Age America / Sarah Burns -- Frank Duveneck and Henry James / Colm Tóibín -- Frank Duveneck and the etching revival / Kristin L. Spangenberg -- Discovering Frank Duveneck's drawings / Elizabeth A. Simmons -- Select chronology / Elizabeth A. Simmons -- Signatures and monograms.
520 $a"Frank Duveneck (1848-1919) was one of the most influential and widely respected late-nineteenth-century American artists. Seeing the bold, confident handling with which Duveneck infuses life into his subjects can be breathtaking. Beloved by his students, Duveneck was also lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for a single, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural, and social milieus of the time, this volume offers diverse perspectives on Duveneck's life, work, subjects, and reputation. The essays span his beginnings as a painter of dark Realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and a selected bibliography"--$cProvided by publisher.
600 10 $aDuveneck, Frank,$d1848-1919$xCriticism and interpretation.
600 17 $aDuveneck, Frank,$d1848-1919.$2fast$0(OCoLC)fst00191400
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2lcgft
700 1 $aAronson, Julie,$eeditor,$econtributor.
700 1 $aGallati, Barbara Dayer,$ewriter of introduction.
700 1 $aDombrowski, André,$econtributor.
700 1 $aBurns, Sarah,$econtributor.
700 1 $aTóibín, Colm,$d1955-$econtributor.
700 1 $aSpangenberg, Kristin L.,$econtributor.
700 1 $aSimmons, Elizabeth Anne,$econtributor.
852 00 $bfaxlc$hND237.D85$iF73 2020g