Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:190002906:3200 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:190002906:3200?format=raw |
LEADER: 03200cam a2200457 i 4500
001 15877788
005 20220405090303.0
008 210513s2021 txua bc 001 0 eng d
024 $a99989502723
035 $a(OCoLC)on1263790143
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dBDX$dOCLCF$dYDX$dERASA$dGZM$dZWU
019 $a1243264096
020 $a9780300260076$qhardcover
020 $a0300260075$qhardcover
035 $a(OCoLC)1263790143$z(OCoLC)1243264096
050 4 $aND653.G7$bA4 2021
082 04 $a759.9492$223
245 00 $aVan Gogh and the olive groves /$cedited by Nienke Bakker, Nicole Myers ; with essays by Nienke Bakker [and 4 authers].
264 1 $aDallas :$bDallas Museum of Art,$c[2021]
264 2 $aNew Haven :$bYale University Press
300 $a215 pages :$billustrations (black and white, and colour) ;$c28 x 26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aExhibition at Dallas Museum of Art, Dallas, Texas October 17.10.2021 - February 6, 2022 and Van Gogh Museum, Amsterdam, March 11 - June 12, 2022.
504 $aIncludes bibliographical references and index.
520 8 $aVan Gogh and the Olive Groves' reunites for the first time the important series of paintings that Vincent van Gogh (1853-90) dedicated to the motif of olive trees during his stay at the asylum of Saint-Remy-de-Provence. The book contextualizes this work within Van Gogh's artistic production and explores its deeply personal, often religious resonance. It also features in-depth findings on the artist's technique, materials, and palette resulting from a three-year cross-disciplinary conservation science research project that rigorously examined all 15 paintings. Of particular interest are new discoveries concerning Van Gogh's use of unstable pigments, his application of paint en plein air versus in the studio, and the chronology of the series. Produced between June and December 1889, this bold and highly experimental series employs the motif as a constant in the artist's passionate investigation of the expressive powers of color, line, and subject. Painting the olive trees at different times of day and in different seasons was a quest to unlock their quintessential features, which to him represented the spirit of Provence.00Exhibition: Dallas Museum of Art, USA (17.10.2021 ? 06.02.2022) / Van Gogh Museum, Amsterdam, The Netherlands (11.03. - 12.06.2022).
600 10 $aGogh, Vincent van,$d1853-1890$vExhibitions.
600 17 $aGogh, Vincent van,$d1853-1890.$2fast$0(OCoLC)fst00032032
650 0 $aTrees in art$vExhibitions.
650 0 $aOlive in art$vExhibitions.
650 7 $aOlive in art.$2fast$0(OCoLC)fst01904131
650 7 $aTrees in art.$2fast$0(OCoLC)fst01156141
700 12 $aGogh, Vincent van,$d1853-1890.$tWorks.$kSelections.
700 1 $aBakker, Nienke,$d1972-$eeditor.
700 1 $aMyers, Nicole R.,$eeditor.
710 2 $aDallas Museum of Art,$ehost institution.
710 2 $aRijksmuseum Vincent van Gogh,$ehost institution.
852 00 $boff,fax$hND653.G7$iA4 2021g
852 00 $boff,fax$hND653.G7$iA4 2021g