MARC Record from marc_columbia

LEADER: 03789cam a2200517 i 4500
001 15885738
005 20220223112437.0
008 220126t20212021maua e b 001 0 eng
010 $a 2020037098
035 $a(OCoLC)on1195818424
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dBDX$dYDX$dERASA$dUKMGB$dYDX$dJAS$dTWS$dBUF$dMNN$dUND$dUKTTE$dUKOBU$dMTG
015 $aGBC1B6883$2bnb
016 7 $a020271223$2Uk
019 $a1191456732
020 $a9780262045872$qhardcover
020 $a0262045877$qhardcover
035 $a(OCoLC)1195818424$z(OCoLC)1191456732
042 $apcc
050 00 $aBH301.B53$bC36 2021
080 $a7.041-054(=96) CAM
082 00 $a704.03/96073$bC199b$223
049 $aZCUA
100 1 $aCampt, Tina,$d1964-$eauthor.
245 12 $aA black gaze :$bartists changing how we see /$cTina M. Campt.
246 10 $aArtists changing how we see
264 1 $aCambridge, Massachusetts :$bThe MIT Press,$c[2021]
264 4 $c©2021
300 $a219 pages :$billustrations (chiefly color) ;$c22 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aPrelude to a Black gaze -- The intimacy of strangers -- Black (Counter)Gravity -- The Visual Frequency of Black Life -- The Slow Lives of Still-Moving-Images -- Sounding A Black Feminist Chorus -- Adjacency and the Poethics of Care -- The Haptic Frequencies of Radical Black Joy.
520 $a"A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"--$cProvided by publisher.
520 $a"In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity. Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze."$cProvided by publisher.
650 0 $aAesthetics, Black.
650 0 $aArts, Black$y21st century.
650 0 $aArts and society$xHistory$y21st century.
650 7 $aAesthetics, Black$2fast$0(OCoLC)fst00798752
650 7 $aArts and society$2fast$0(OCoLC)fst00817856
650 7 $aArts, Black$2fast$0(OCoLC)fst00817930
648 7 $a2000-2099$2fast
655 7 $aHistory$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aCampt, Tina, 1964-$tBlack gaze.$dCambridge, Massachusetts : The MIT Press, [2021]$z0262365669$w(OCoLC)1255632973
852 00 $bbar$hBH301.B53$iC36 2021