MARC Record from marc_columbia

LEADER: 03835cam a2200433 i 4500
001 15900010
005 20220215124734.0
008 210408t20212021ctuac bc 001 0 eng d
024 $a99989647829
035 $a(OCoLC)on1245473858
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dUKMGB$dOCLCF$dCDX$dBKL$dCRU$dOWS$dFNE$dFDA
020 $a9780300254457
020 $a0300254458$q(hardcover)
035 $a(OCoLC)1245473858
043 $ae-fr---
050 04 $aND210$b.W45 2021
082 14 $a759.130944$223
245 00 $aWhistler to Cassatt :$bAmerican painters in France /$cedited by Timothy J. Standring.
246 30 $aAmerican painters in France
264 1 $aNew Haven, CT ;$aLondon :$bDenver Art Museum in association with Yale University Press,$c[2021]
264 4 $c©2021
300 $avii, 245 pages :$bcolor illustrations, portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 227-229) and index.
505 00 $gDirectors' foreword /$rChristoph Heinrich and Alex Nyerges --$tFacture in Paris /$rTimothy J. Standring --$tThe training of nineteenth-century American painters at the École des Beaux-Arts /$rEmmanuelle Brugerolles --$tJames McNeill Whistler: A conduit between France and America /$rSuzanne Singletary --$tWhy Paris became the center of American art in the gilded age /$rRandall C. Griffin --$tA portrait of the artist as a young woman: The Franco-American experience, 1871-1914 /$rSusan J. Rawles --$t"The Great Annual Exhibition": American painters and American impressionism at the Paris salon /$rBenjamin W. Colman --$gChecklist --$gEssay notes --$gSelected readings --$tCurators' acknowledgments --$gContributors --$gIndex --$gImage credits.
520 8 $aIn the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing, part of the association known as The Ten, found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists, styles ranging from conservative academic modes to Tonalism, and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art. Exhibition: Denver Art Museum, USA (14.11.2021-13.03.2022) / Virginia Museum of Fine Arts, Richmond, USA (16.04.-31.07.2022).
585 $aPublished on the occasion of the exhibition at Denver Art Museum, November 14, 2021-March 13, 2022 and Virginia Museum of Fine Arts, April 16- July 31, 2022.
650 0 $aPainting, American$zFrance$y19th century$vExhibitions.
650 0 $aPainting, American$zFrance$y20th century$vExhibitions.
650 7 $aPainting, American.$2fast$0(OCoLC)fst01050648
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1800-1999$2fast
700 1 $aStandring, Timothy J.,$d1950-$eeditor.
710 2 $aVirginia Museum of Fine Arts,$ehost institution.
710 2 $aDenver Art Museum,$ehost institution.
852 00 $bfaxlc$hND210$i.W45 2021g