MARC Record from marc_columbia

LEADER: 05656cam a2200649 i 4500
001 15921622
005 20220219225311.0
006 m o d
007 cr |||||||||||
008 210806s2022 mdua ob 001 0 eng
010 $a 2021039031
035 $a(OCoLC)on1280407072
035 $a(NNC)15921622
040 $aDLC$beng$erda$cDLC$dOCLCF$dYDX$dOCLCO$dYDX$dN$T$dEBLCP
019 $a1280402899$a1291314418$a1292354169
020 $a1793647216$qelectronic book
020 $a9781793647214$q(electronic bk.)
020 $z9781793647207$qhardcover
035 $a(OCoLC)1280407072$z(OCoLC)1280402899$z(OCoLC)1291314418$z(OCoLC)1292354169
042 $apcc
050 04 $aPS309.H35$bH35 2022
082 00 $a809.1/41$223/eng/20211021
049 $aZCUA
245 00 $aHaiku, other arts, and literary disciplines /$cedited by Toru Kiuchi and Yoshinobu Hakutani.
264 1 $aLanham, Maryland :$bLexington Books,$c[2022]
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships of haiku with other arts, such as essay, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition"--$cProvided by publisher.
588 $aDescription based on online resource; title from digital title page (viewed on February 03, 2022).
505 0 $aCover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- List of Figures -- Acknowledgments -- Introduction -- Part I: Haiku and Other Arts: Part I -- Chapter 1: Classic Haiku and Cy Twombly's Modern Painting1 -- Notes -- Chapter 2: Bashō and Haiga -- Preface -- A Brief History of Haiga -- Bashō and Haiga -- (a) Before the Encounter with Kyoriku -- (b) After the Encounter with Kyoriku -- Conclusion -- Notes -- Works Cited -- Chapter 3: Buson as Haiku Poet and Painter -- Introduction -- The Learning Period (1754-1757) of Haiga -- II-i. -- II-ii. -- II-iii.
505 8 $aThe Growth Period (1758-1769) of Haiga -- III-i. -- III-ii. -- The Accomplished Period (1770-1777) of Haiga -- IV-i. -- IV-ii. -- IV-iii. -- IV-iv. -- IV-v. -- The Maturity Period (1778-1783) of Haiga -- V-i. -- V-ii. -- V-iii. -- V-iv. -- V-v. -- Conclusion -- Notes -- Works Cited -- Chapter 4: Jack Kerouac's Haiku and the Beat Generation -- Notes -- Works Cited -- Chapter 5: Sonia Sanchez's Morning Haiku and Blues Music -- Notes -- Works Cited -- Chapter 6: James Emanuel's Haiku and Jazz -- 1 -- 2 -- 3 -- 4 -- Notes -- Works Cited
505 8 $aChapter 7: North American Versions of Haibun and Postmodern American Culture -- I -- II -- III -- IV -- V -- Notes -- Works Cited -- Part II: Haiku and Literary Disciplines: Part II -- Chapter 8: Bashō, Kerouac, and Confucianism -- Notes -- Works Cited -- Chapter 9: Richard Wright's Haiku and Zen Buddhism -- Note -- Works Cited -- Chapter 10: American Haiku and American Transcendentalism -- 1 -- 2 -- 3 -- Works Cited -- Chapter 11: Haiku, Ezra Pound, and Imagism -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- Notes -- Works Cited -- Chapter 12: Haiku and Modernism in Japan -- Introduction
505 8 $a[Modernism in Haiku] -- [The Eve of Haiku Modernism: Haiku Reformation] -- Shin-Keiko Haiku (New Trend Haiku) Movement: 1900s -- [Shin-Keiko Haiku] -- Jiyuritsu Haiku (Free-Rhythm Haiku): 1910s -- [Beginning of Jiyuritsu Haiku] -- [Two Poets of Jiyuritsu Haiku] -- Shinko Haiku (Newly Rising Haiku) Movement: 1930s-1945 -- [Haiku Modernism] -- [Poets of Shinko Haiku (the Newly Rising Haiku)] -- [The End of Shinko Haiku (Newly Rising Haiku)] -- The Avant-garde Haiku Movement: 1950s-1970s -- [Aftereffect of Haiku Modernism-Postwar Circumstances] -- [Innovative Two Schools] -- Notes -- Works Cited
505 8 $aChapter 13: American Haiku in the New Millennium: The First Two Decades -- Twentieth-Century Techniques in Twenty-First-Century Haiku -- New Approaches to Haiku -- Conclusion -- Works Cited -- Chapter 14: Richard Wright's Haiku and African Culture -- Notes -- Works Cited -- Chapter 15: Creating African American Haiku Form: Lenard D. Moore's Poetic Artistry 1 -- Notes -- Works Cited -- Chapter 16: Robert Spiess's Haiku: Translating for Better Understanding -- Works Cited -- Subject Index -- Index of Haiku and Poems -- About the Contributors
650 0 $aHaiku, American$xHistory and criticism.
650 0 $aHaiku$xHistory and criticism.
650 0 $aPoetry and the arts.
650 0 $aPoetics.
650 7 $aHaiku.$2fast$0(OCoLC)fst00950289
650 7 $aHaiku, American.$2fast$0(OCoLC)fst00950299
650 7 $aPoetics.$2fast$0(OCoLC)fst01067682
650 7 $aPoetry and the arts.$2fast$0(OCoLC)fst01746398
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aEssays.$2fast$0(OCoLC)fst01919922
655 7 $aLiterary criticism.$2fast$0(OCoLC)fst01986215
655 7 $aLiterary criticism.$2lcgft
655 7 $aEssays.$2lcgft
655 4 $aElectronic books.
655 0 $aElectronic books.
700 1 $aKiuchi, Tōru,$d1953-$eeditor.
700 1 $aHakutani, Yoshinobu,$d1935-$eeditor.
776 08 $iPrint version:$tHaiku, other arts, and literary disciplines$dLanham : Lexington Books, [2021]$z9781793647207$w(DLC) 2021039030
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15921622$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS