MARC Record from marc_columbia

LEADER: 06266cam a2200673 i 4500
001 15922097
005 20220604235125.0
006 m o d
007 cr |||||||||||
008 210911t20222022enka ob 001 0 eng
010 $a 2021042329
035 $a(OCoLC)on1269625825
035 $a(NNC)15922097
040 $aDLC$beng$erda$cDLC$dOCLCO$dTYFRS$dOCLCF$dYDX$dN$T$dUKAHL$dOCLCO
020 $a9781003189961$qelectronic book
020 $a1003189962$qelectronic book
020 $a9781000540635$qelectronic book
020 $a1000540634$qelectronic book
020 $a1000540642$qelectronic book
020 $a9781000540642$q(electronic bk.)
020 $z9781032039640$qhardcover
020 $z9781032039657$qpaperback
035 $a(OCoLC)1269625825
037 $a9781003189961$bTaylor & Francis
042 $apcc
043 $an-us---
050 04 $aPN1995.9.S26$bC66 2022
072 7 $aPER$x004140$2bisacsh
072 7 $aJFD$2bicssc
082 00 $a791.43/615$223
049 $aZCUA
245 00 $aContemporary American science fiction film /$cedited by Terence McSweeney and Stuart Joy.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2022.
264 4 $c©2022
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: The fears and fantasies of science fiction film : genre as cultural artefact / Terence McSweeney and Stuart Joy -- A tale as old as time : Steven Spielberg's A.I. Artificial intelligence (2001) / Christine Muller -- Through the lens of 9/11 : reflections of Bush era politics and the post-9/11 milieu in Minority report (2002) and V for Vendetta (2006) / Fran Pheasant Kelly -- Precarious lives, human rights and "the sense of today" : the continuing resonance and relevance of Alfonso Cuarón's Children of men (2006) / Terence McSweeney -- Seeing and touching the bodies of others : evolving the male animal toward secular moral enlightenment in the Planet of the apes reboot franchise / Carol Donelan -- Time travel, trauma and the futility of revenge in Looper (2012) / Stuart Joy -- Science fiction cinema between arthouse and blockbuster : from Stanley Kubrick's 2001 to Christopher Nolan's Interstellar (2014) / Steffen Hantke -- 21st-century Star wars : profiles in (female) courage / Stacey Peebles -- Rationality, emotionality and geopolitics in Arrival (2016) : from structural oppositions and reconciliations to mixed modalities and claims to 'quality' status / Geoff King -- "The world is built on a wall" : deconstructing Blade runner 2049 (2017) / Will Brooker -- Speculative anger and collective economic strength in Boots Riley's Sorry to bother you (2018) / Paul Petrovic -- Coping with the deconstruction of American identity : hybridization and self-destruction in Alex Garland's Annihilation (2018) / Andrew Schopp -- Wakanda forever? On Ryan Coogler's Black Panther (2018) / Gerry Canavan.
520 $a"Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film"--$cProvided by publisher.
545 0 $aTerence McSweeney is Senior Lecturer in Film and Television Studies at Southampton Solent University and the author of The 'War on Terror' and American Film: 9/11 Frames Per Second (EUP, 2014), Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe (Wallflower, 2018) and Black Panther: Interrogating a Cultural Phenomenon (University of Mississippi Press, 2021). Stuart Joy is Senior Lecturer in Film and television at Southampton Solent University and the author of The Traumatic Screen: The Films of Christopher Nolan (2020), co-editor of, and contributor to The Cinema of Christopher Nolan: Imagining the Impossible (Wallflower, 2015) and Through the Black Mirror: Deconstructing the Side Effects of the Digital Age (Palgrave, 2019)
588 $aDescription based on online resource; title from digital title page (viewed on March 07, 2022).
650 0 $aScience fiction films$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$zUnited States$xHistory$y21st century.
650 6 $aFilms de science-fiction$zÉtats-Unis$xHistoire et critique.
650 6 $aCinéma$zÉtats-Unis$xHistoire$y21e siècle.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aScience fiction films.$2fast$0(OCoLC)fst01108616
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a2000-2099$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aMcSweeney, Terence,$d1974-$eeditor.
700 1 $aJoy, Stuart,$eeditor.
776 08 $iPrint version:$tContemporary American science fiction film$dAbingdon, Oxon ; New York, NY : Routledge, 2022$z9781032039640$w(DLC) 2021042328
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15922097$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS