MARC Record from marc_columbia

LEADER: 04605cam a2200769 i 4500
001 15922099
005 20220403003355.0
006 m o d
007 cr |||||||||||
008 210924t20222022nyua ob 001 0 eng
010 $a 2021045513
035 $a(OCoLC)on1273049245
035 $a(NNC)15922099
040 $aDLC$beng$erda$cDLC$dOCLCO$dTYFRS$dOCLCF$dYDX$dOCLCO$dYDX$dOCLCO
020 $a9780367821753$qelectronic book
020 $a0367821753$qelectronic book
020 $a9781000546712$qelectronic book
020 $a1000546713$qelectronic book
020 $a9781000546736$qelectronic book
020 $a100054673X$qelectronic book
020 $z9780367420932$qhardcover
020 $z9781032216751$qpaperback
035 $a(OCoLC)1273049245
037 $a9780367821753$bTaylor & Francis
042 $apcc
050 04 $aN70$b.J644 2022
072 7 $aART$x015110$2bisacsh
072 7 $aAB$2bicssc
082 00 $a700/.4556$223
049 $aZCUA
100 1 $aJones, David Houston,$d1972-$eauthor.
245 10 $aVisual culture and the forensic :$bculture, memory, ethics /$cDavid Houston Jones.
264 1 $aNew York, NY :$bRoutledge,$c2022.
264 4 $c©2022
300 $a1 online resource :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in art and visual studies
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Staging the Scene of the Crime -- Forensic Landscapes -- Information Forensics -- The Language of Things -- The Forensic Face -- Conclusion.
520 $a"David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example performance and installation art, as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones's analysis brings this methodology to bear upon a strand of contemporary visual activity which has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charrière, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory"--$cProvided by publisher.
545 0 $aDavid Houston Jones is Professor of French and Visual Culture at the University of Exeter.
588 $aDescription based on online resource; title from digital title page (viewed on March 15, 2022).
650 0 $aCrime in art.
650 0 $aEvidence.
650 0 $aCrime scenes.
650 0 $aCrime scene searches in art.
650 0 $aForensic sciences.
650 2 $aForensic Sciences
650 6 $aCriminalité dans l'art.
650 6 $aÉvidence.
650 6 $aLieux du crime.
650 6 $aFouilles du lieu d'un crime dans l'art.
650 6 $aCriminalistique.
650 7 $aforensic science.$2aat
650 7 $aART / History / Contemporary (1945-)$2bisacsh
650 7 $aCrime in art.$2fast$0(OCoLC)fst00883037
650 7 $aCrime scene searches in art.$2fast$0(OCoLC)fst00883100
650 7 $aCrime scenes.$2fast$0(OCoLC)fst00883101
650 7 $aEvidence.$2fast$0(OCoLC)fst00917177
650 7 $aForensic sciences.$2fast$0(OCoLC)fst00932011
655 4 $aElectronic books.
776 08 $iPrint version:$aJones, David Houston, 1972-$tVisual culture and the forensic$dNew York, NY : Routledge, 2022$z9780367420932$w(DLC) 2021045512
830 0 $aRoutledge advances in art and visual studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15922099$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS