MARC Record from marc_columbia

LEADER: 05444cam a2200457Ii 4500
001 15987204
005 20220401073558.0
008 220209t20192019ag ah b 000 0dspa d
035 $a(OCoLC)on1296048100
040 $aH7K$beng$erda$cH7K$dPAU$dJPG$dOCLCF
020 $a9789877831849
020 $a9877831848
035 $a(OCoLC)1296048100
041 0 $aspa$aeng
050 4 $aN6639.L36$bA4 2019
049 $aZCUA
245 03 $aEl fin de Gómez es eterno /$cJosé Luis Landet ; coordinación, edición y diseño, Amanda García Martín.
250 $aPrimera edición =$bFirst edition.
264 1 $aBuenos Aires :$bWalden Gallery,$c[2019]
264 4 $c©2019
300 $a1 volume (various paging) :$billustrations (chiefly color), facsimiles ;$c30 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle from spine.
504 $aIncludes bibliographical references.
505 8 $aEl trabajo = The work -- Las creencias, el partido = The beliefs, the party -- El territorio, el escondite =The territory, the hideout -- La escritura, en crudo = The writing, in raw -- El arte, las cosas = The art, the things -- La afirmación de la utopía = The affirmation of utopia -- Bitácoras = Logbooks -- Fe de erratas= Erratum -- El informe = The report -- Textos, índice de obra y traducciones = Texts, index of work and translations -- ¿Quien es Gómez? / entrevista a José Luis Landet.
520 $aJosé Luis Landet's artistic production can be approached by using the verb "to manifest" and its different meanings: on one hand, "to manifest" can be understood as a protest act, collective and public, in which the bodies gather to demand something; on the other, it may refer to reveal or show something, to display what was lying underneath. It is right at the intersection between politics and view that Landet's manifested landscapes emerge. Throughout his career, José Luis Landet has worked with discarded, recovered and appropriated archives. From there, he extracts photographs, writings, slides, drawings and letters, which become an essential -tangible and conceptual- part of his creations. Oil paintings of bucolic landscapes have received special attention within his aesthetic project: by taking them into account, he imbues them with a renewed power, which radiates historical, affective and political specters. The present publication is a compendium of nine facsimiles edited, yet not printed, by the artist Carlos Gómez (Argentina, 1945 - 2014). Carlos Gómez was an unknown, cryptic author; and in the last years artist José Luis Landet (Argentina, 1977) has endeavored to spread and reconstruct his work. In this book, Landet -in a partnership with EMA Publications- has reinterpreted the sketches and cuts from the original fanzines of Gómez. Also gathered here are unpublished texts about the life and work of Carlos Gómez, about the exhibitions that Landet has made from his work, plus an interview done by the publisher to José Luis Landet with the intention of better understanding of the value of this publication.
520 $aJosé Luis Landet's artistic production can be approached by using the verb "to manifest" and its different meanings: on one hand, "to manifest" can be understood as a protest act, collective and public, in which the bodies gather to demand something; on the other, it may refer to reveal or show something, to display what was lying underneath. It is right at the intersection between politics and view that Landet's manifested landscapes emerge. Throughout his career, José Luis Landet has worked with discarded, recovered and appropriated archives. From there, he extracts photographs, writings, slides, drawings and letters, which become an essential -tangible and conceptual- part of his creations. Oil paintings of bucolic landscapes have received special attention within his aesthetic project: by taking them into account, he imbues them with a renewed power, which radiates historical, affective and political specters. The present publication is a compendium of nine facsimiles edited, yet not printed, by the artist Carlos Gómez (Argentina, 1945 - 2014). Carlos Gómez was an unknown, cryptic author; and in the last years artist José Luis Landet (Argentina, 1977) has endeavored to spread and reconstruct his work. In this book, Landet -in a partnership with EMA Publications- has reinterpreted the sketches and cuts from the original fanzines of Gómez. Also gathered here are unpublished texts about the life and work of Carlos Gómez, about the exhibitions that Landet has made from his work, plus an interview done by the publisher to José Luis Landet with the intention of better understanding of the value of this publication.
546 $aTexts in Spanish and English.
600 10 $aLandet, José Luis,$d1977-
600 10 $aGómez, Carlos,$d1945-2014$xInfluence.
650 7 $aArt, Argentine.$2fast$0(OCoLC)fst00815940
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aThemes, motives.$2fast$0(OCoLC)fst01355139
648 7 $a2000-2099$2fast
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
700 1 $aGarcía Martín, Amanda,$eeditor.
700 1 $aLandet, José Luis,$d1977-$eartist.
852 00 $boff,fax$hN6639.L36$iA4 2019g